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  • For decades, the Los Angeles–based artist Lita Albuquerque has blurred distinctions between Land art and Light and Space on increasingly grander scales, whether it be building installations surrounding the pyramids in Egypt or placing sculptures across Antarctica to mirror the formation of the stars. Her cosmic explorations continue with two new bodies of work that are currently being shown at Kohn Gallery in Hollywood, from January 9 through February 27, 2016, and at USC’s Fisher Museum of Art, from January 26 through April 10, 2016.

  • Karaoke Kart

    May 05| Special Event
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    Otis Radio students, Caroline Dillon, Ibrahim Ghulam and Forouzan Safari, present The Karaoke Kart! Join them for a sing-a-long on the 4th floor of Ahmanson, or listen to the live radio broadcast in the Cafe (or on 96.1 FM).

  • Otis Fine Arts presents For The Time Being, the 2016 BFA Senior Exhibition. The show will run May 9-15 with a public reception on Saturday, May 14, 6-9 pm.

  • Annual Exhibition Preview

    May 13-15, 2016

    CELEBRATE WITH US

    Join us for an exhibition and celebration of work by the next generation of creative professionals in:

    Architecture/Landscape/Interiors
    Communication Arts: Advertising Design, Graphic Design, Illustration
    Digital Media: Animation, Game and Entertainment Design, Motion Design
    Fashion Design: Costume Design

  • May 13-15, 2016

    CELEBRATE WITH US

    Join us for an exhibition and celebration of work by the next generation of creative professionals in:

    Architecture/Landscape/Interiors
    Communication Arts
    : Advertising Design, Graphic Design, Illustration

O-Tube

Ray DiPalma, The Ancient Use of Stone: Journals and Daybooks, 1998–2008

 

There’s nothing here to be measured
– simply take your share. Pensa, lettor.
The rift in perspective – a record of intuitive endeavors
serendipitous at the graft – limned by the eye.
Blood on the chain, a form of motion
written in black and blue, the body means to go back.
Verticals stagger and extend the spiral
– resisting the pull of gravity, slicing
a disputed form into gestures. Said
– to be – said to be, seen. Said to be.
Argot, hieroglyphics, and the play of appearances,
micromass of all sorts. Tilt of lens,
shape and angle of mirror, light caught in the bevel
from the torch of Phlegyas. Prenda, lettor.

Born in New Kensington, Pennsylvania in 1943, Ray DiPalma received his BA from Duquesne University and his MFA from the University of Iowa. From 1968–1975 he taught poetry at Bowling Green University and moved to New York in 1975. Author of more than forty books of poetry, DiPalma has also published many editions of visual work, including one-of-a-kind artist’s books, sound texts, collages and prints. Among his earlier published collections are January Zero (1984), Raik (1989), Numbers and Tempers (1993), Hôtel des ruines (1993), Provocations (1994), Le tombeau de Reverdy (1998), Letters (1998) and Gnossiennes (2005). His most recent books include L’Usage ancien de la pierre (Editions Greges, 2007), Quatre poèmes (Editions Comp’Act, 2006; both translated by Vincent Dussol), and Caper (with Paul Vangelisti; ML & NLF, Piacenza, 2006). He lives in New York City and teaches at the School of Visual Arts.

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  • ISBN: 978-0-9796177-5-1
  • Price:$14.95
  • Published 2009
  • 213 pages

Buy The Ancient Use of Stone: Journals and Daybooks, 1998–2008

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