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Events
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

  • Otis Graduate Writing students will read from their works-in-progress.

O-Tube

Laura Mullen, Enduring Freedom

 

She appears to be recognized as herself and not herself, new because endlessly recycled, not what she was but not what she will be – see? Not married and not not married, the processional’s a ritual meant to extend a magical present, until the head of this pin is the size of a rented hall and all of us angels stepping out on the long blank train of her on-going gown. To go in single and come married out is easy enough, what matters is to enlarge the inter- stitial, to live as long as we can in the not exactly no longer and the not quite not yet also. Where organ music drowns the ill-digested vows and the empty stomach growls. Hesitant. The BND goes down slow as a pill we can’t really swallow, stuck chunk in a stalled gulp between yesterday and tomorrow, at one and the same time belated and punctual….

 

Laura Mullen is the author of seven books: Enduring Freedom: A Little Book of Mechanical Brides, The Surface, After I Was Dead, Subject, Dark Archive, The Tales of Horror, and Murmur. Recognitions for her poetry include Ironwood’s Stanford Prize, two Board of Regents ATLAS grants, a National Endowment for the Arts Fellowship and a Rona Jaffe Award, among other honors. She has had several MacDowell Fellowships and is a frequent visitor at the Summer Writing Program at the Jack Kerouac School of Disembodied Poetics at Naropa. Her work has been widely anthologized and is included in American Hybrid and I’ll Drown My Book: Conceptual Writing by Women. Undersong, the composer Jason Eckardt’s setting of “The Distance (This)” (from Subject) was released on Mode records in 2011. Mullen is the McElveen Professor in English at LSU and a special interest delegate in Creative Writing for the Modern Language Association. She is a contributing editor for the on-line poetry site The Volta.

Author website

 

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  • ISBN: 978-0-9796289-8-1
  • Price: $12.95
  • Published 2012
  • 80 pages

Buy Enduring Freedom