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  • Winter Holiday Closure

    Dec 18| Administrative
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    Happy Holidays.

    Otis Administrative Offices will be closed for the Holiday Break.

    Offices will reopen on Monday, January 5. 

    Courses resume on Monday, January 12th.

  • Angie Bray: Shhhh

    Jan 17| Exhibition
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    Angie Bray: Shhhh

    January 17 – March 22, 2015

    Opening Reception: January 24, 4-6pm

    Angie Bray: Shhhh is a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery at Otis College of Art and Design. The exhibition opens on Saturday, January 17, 2015.

    About the Exhibition

  • Opening Reception for Angie Bray: Shhhh a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery.

  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.3 by JAMES CORNER


    Wednesday    18 February 2015    7:30 PM
    Ahmanson Auditorium   limited, open seating starting at 7:00 PM  

    at THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES

    250 SOUTH GRAND AVENUE  LOS ANGELES CA  90012

     

    This lecture is free and open to the public.

     

  • Bassoon Performance

    Feb 22| Special Event
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    Bassoonist John Steinmetz Performs and Converses with the Audience
    Playing live bassoon inside the exhibition Angie Bray: Shhhh, Steinmetz will react to Bray’s installations by playing some of his own music as well as new compositions, and will converse with the audience, who are encouraged to sit or roam through the gallery looking and listening.

  • Composer Kubilay Üner offers a “reactive” experience with a live presentation of a new composition made in response to the exhibition Angie Bray: Shhhh. The performance will be interspersed with conversation between Üner and Bray.

O-Tube

Jean-Michel Espitallier, Espitallier’s Theorem

 

There’s nothing here to be measured
– simply take your share. Pensa, lettor.
The rift in perspective – a record of intuitive endeavors
serendipitous at the graft – limned by the eye.
Blood on the chain, a form of motion
written in black and blue, the body means to go back.
Verticals stagger and extend the spiral
– resisting the pull of gravity, slicing
a disputed form into gestures. Said
– to be – said to be, seen. Said to be.
Argot, hieroglyphics, and the play of appearances,
micromass of all sorts. Tilt of lens,
shape and angle of mirror, light caught in the bevel
from the torch of Phlegyas. Prenda, lettor.

Born in New Kensington, Pennsylvania in 1943, Ray DiPalma received his BA from Duquesne University and his MFA from the University of Iowa. From 1968–1975 he taught poetry at Bowling Green University and moved to New York in 1975. Author of more than forty books of poetry, DiPalma has also published many editions of visual work, including one-of-a-kind artist’s books, sound texts, collages and prints. Among his earlier published collections are January Zero (1984), Raik (1989), Numbers and Tempers (1993), Hôtel des ruines (1993), Provocations (1994), Le tombeau de Reverdy (1998), Letters (1998) and Gnossiennes (2005). His most recent books include L’Usage ancien de la pierre (Editions Greges, 2007), Quatre poèmes (Editions Comp’Act, 2006; both translated by Vincent Dussol), and Caper (with Paul Vangelisti; ML & NLF, Piacenza, 2006). He lives in New York City and teaches at the School of Visual Arts.

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  • ISBN: 978-0-9796177-5-1
  • Price:$14.95
  • Published 2009
  • 213 pages

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