• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Bruce Bégout, Common Place.The American Motel


Translated from the French by Colin Keaveney

A relatively old legacy of the twentieth century, the motel thus foreshadowed, unbeknownst to itself, a new type of urban existence. With it was born the society of permanent mobility and perpetual transit, a world of freeways and gas stations, traveling salesmen and massive seasonal migrations, outsourcing and spatial homogenizing, constant and reflexive house-moving; in short the itch to move.

French philosopher and author Bruce Bégout is currently maître de conférences at the University of Bordeaux. He has published many essays, including Zéropolis. L’expérience de Las Vegas, Lieu commun. Le motel américain, La Découverte du quotidien. Éléments pour une phénoménologie du monde de la vie and De la décence ordinaire, as well as a novel, L’Éblouissement des bords de route. He served on the editorial board of the journal Inculte, and is currently the series editor of “Matière étrangère” for Éditions Vrin.

  • ISBN: 978-0-9796177-8-2
  • Price: $12.95
  • Published 2010
  • 137 pages

Buy Common Place. The American Motel

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