• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Antonio Porta, Piercing the Page: Selected Poems: 1958–1989


Edited with an introduction by Gian Maria Annovi and an essay by Umberto Eco

Nothing behind the door, behind the curtain,
the fingerprint stuck on the wall, under it,
the car, the window, it stops, behind the curtain,
a wind that shakes it, a more obscure
stain on the black ceiling, a handprint,
he leaned on rising, nothing, pressing,
a silk handkerchief, the lamp swings,
a knot, the light, ink-spot,
on the floor, above the curtain, the scouring pad,
on the floor drops of sweat, rising,
the stain won’t rub out, behind the curtain,
the black silk of the handkerchief, shines on the ceiling,
the hand comes to rest, the fire in the hand,
a silk knot on the armchair, it shines,
wounded, now the blood on the wall,
the handkerchief’s silk waves a hand


Antonio Porta, pen name Leo Paolazzi, was born in Vicenza in 1935, but lived in Milan most of his life. In 1960 he published La Palpebra Rovesciata (The Eyelid Inside-Out) and was included in the seminal anthology I Novissimi (among such authors as A. Giuliani, E. Sanguineti, E. Pagliarani and N. Balestrini). One of the most important figures in the literary movement known as the “Neo-Avant-garde,” Porta was among the founders of Gruppo 63 and served on the editorial board of the avant-garde literary magazine Malebolge from 1963 to 1967. It is at this time that he began his experimentations with visual poetry. In addition, he wrote literary criticism for various newspapers and magazines, and taught literature at the Università di Bologna, the Università di Pavia and the Università di Roma, La Sapienza, as well as Yale University. He died of a heart attack in Milan in 1989.

Gian Maria Annovi was born in 1978. He holds a Degree in Philosophy and a Doctorate in Contemporary Italian Literature from the University of Bologna. He also studied at Universidad de Barcelona (Spain) and UCLA. Currently, he is a Ph.D. candidate in Italian Studies at Columbia University and he is working on a volume about Italian writer, poet and director Pier Paolo Pasolini. Gian Maria has published three collections of poetry and several essays and translations in Italian and international journals. He writes for the Italian newspaper Il Manifesto.



  • ISBN-13: 978-0-9845289-5-0
  • ISBN-10: 0-9845289-5-4
  • Price: $14.95
  • Published 2012
  • 368 pages

Buy Piercing the Page

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