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  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
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  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

  • Multimedia and digital artist Parker Ito is known for his manipulations of found imagery and web-based systems of communication. Ito’s works often makes use of non-traditional art materials, such as reflective 3M Scotch-lite fabric, automotive paint, and vinyl. He is known for the high volume of his output—sometimes under different names—and his sense of humor. He does not consider himself a conceptual artist, but says his work is rooted in “konceptualism,” which he describes as “similar to when people spell the word ‘cool,’ ‘kewl’ or ‘kool.’”
     

O-Tube

Antonio Porta, Piercing the Page: Selected Poems: 1958–1989

 

Edited with an introduction by Gian Maria Annovi and an essay by Umberto Eco

Nothing behind the door, behind the curtain,
the fingerprint stuck on the wall, under it,
the car, the window, it stops, behind the curtain,
a wind that shakes it, a more obscure
stain on the black ceiling, a handprint,
he leaned on rising, nothing, pressing,
a silk handkerchief, the lamp swings,
a knot, the light, ink-spot,
on the floor, above the curtain, the scouring pad,
on the floor drops of sweat, rising,
the stain won’t rub out, behind the curtain,
the black silk of the handkerchief, shines on the ceiling,
the hand comes to rest, the fire in the hand,
a silk knot on the armchair, it shines,
wounded, now the blood on the wall,
the handkerchief’s silk waves a hand

 

Antonio Porta, pen name Leo Paolazzi, was born in Vicenza in 1935, but lived in Milan most of his life. In 1960 he published La Palpebra Rovesciata (The Eyelid Inside-Out) and was included in the seminal anthology I Novissimi (among such authors as A. Giuliani, E. Sanguineti, E. Pagliarani and N. Balestrini). One of the most important figures in the literary movement known as the “Neo-Avant-garde,” Porta was among the founders of Gruppo 63 and served on the editorial board of the avant-garde literary magazine Malebolge from 1963 to 1967. It is at this time that he began his experimentations with visual poetry. In addition, he wrote literary criticism for various newspapers and magazines, and taught literature at the Università di Bologna, the Università di Pavia and the Università di Roma, La Sapienza, as well as Yale University. He died of a heart attack in Milan in 1989.

Gian Maria Annovi was born in 1978. He holds a Degree in Philosophy and a Doctorate in Contemporary Italian Literature from the University of Bologna. He also studied at Universidad de Barcelona (Spain) and UCLA. Currently, he is a Ph.D. candidate in Italian Studies at Columbia University and he is working on a volume about Italian writer, poet and director Pier Paolo Pasolini. Gian Maria has published three collections of poetry and several essays and translations in Italian and international journals. He writes for the Italian newspaper Il Manifesto.

 

Interviews:


  • ISBN-13: 978-0-9845289-5-0
  • ISBN-10: 0-9845289-5-4
  • Price: $14.95
  • Published 2012
  • 368 pages

Buy Piercing the Page

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