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  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Ron Athey.  Read more about the artist here.
    Contact: Soo Kim, skim@otis.edu
  • Join Otis’ new President Bruce W. Ferguson and new Director of Galleries and Exhibitions Kate McNamara at a special reception for alumni and friends at the historic National Arts Club.

    Tuesday, October 6, 2015
    7:00 – 9:00 pm

    National Arts Club
    15 Gramercy Park South
    New York, NY 10003
    Business Casual attire is required by the National Arts Club
    For dress code information, visit: www.nationalartsclub.org (under About Us/FAQs)

  • Angela Flournoy’s first novel The Turner House was a Barnes & Noble Discover Great New Writers selection. Her fiction has appeared in The Paris Review, and she has written for The New Republic, The Los Angeles Review of Books and elsewhere. Flournoy has taught at the University of Iowa and Trinity Washington University. She lives in Los Angeles.

  • Adam Linder is a choreographer based between Berlin and Los Angeles, working both in theatre and visual art contexts. He has been developing a dance based  format he calls Choreographic Services since 2013. This aspect of his work is focused on underscoring real time and economic conditions that are integral to the discipline of  choreography. At Otis Linder will introduce this format both conceptually and practically, discussing why 'servicing' is the relevant way for his work to publicly engage.  




    SCREENING AND CONVERSATION with Margaret Prescod, Founder, Black Coalition Fighting Back Serial Murders and host of “Sojourner Truth” on Pacifica Radio’s KPFK.
    Nana Gyamfi, Lawyer-Black Lives Matter, Black Coalition Fighting Back Serial Murders.

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Oliver Payne, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Kimberli Meyer trained as an architect and an artist, and has been the director of the MAK Center for Art and Architecture at the Schindler House in West Hollywood since 2002. She has initiated and curated many programs there, including the exhibitions How Many Billboards?


Adriano Spatola, Toward Total Poetry


Translated from the Italian by Brendan W. Hennessey and Guy Bennett, with an Afterword by Guy Bennett

The problem is not only to transform poetry into something new compared to poetic tradition, but above all that through this transformation poetry becomes a total art. New experimental poetry is no longer exclusively interpretable as a force modifying the usual instruments of poetic creation, or as the necessity of overcoming national linguistic barriers to an explicitly international poetry. Today it seeks to become a total medium, to escape all limitations to include theater, photography, music, painting, typography, cinematographic techniques, and every other aspect of culture, in a utopian ambition to return to origins.

Starting with the publication of his first book, L’ebreo negro (1964), at the age of 23, Adriano Spatola established himself as one of the leading innovators in European experimental poetry. In works such as Majakovskiiiiiiij and Diversi accorgimenti [“Various Devices”], Spatola rejected tired formal devices in favor of a more dynamic use of language. From 1970–1988 he published the seminal magazine TamTam. Spatola died in 1988.

Guy Bennett’s translations include Jacques Roubaud’s Poetry, etc.: Cleaning House, Valère Novarina’s Adramelech’s Monologue, and Giovanna Sandri’s Hourglass: The Rhythm of Traces.

Brendan W. Hennessey is completing his PhD in Italian Literature at the University of California Los Angeles.

  • ISBN: 978-09796177-2-0
  • Price: $12.95
  • Published 2008
  • 169 pages

Buy Toward Total Poetry