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  • Memorial Day

    May 30| Academic Dates
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    Closed for the Holiday.

  • Classes Begin

  • Campus Closed for the Holiday.

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  • Classes End

  • Viet Thanh Nguyen’s bestselling novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, the First Novel Prize from the Center for Fiction, and a Carnegie Medal from the American Library Association. It was also a finalist for the PEN/Faulkner Award and the PEN/Robert W. Bingham Prize for Debut Fiction. Nguyen is also the author of Race and Resistance: Literature and Politics in Asian America and Nothing Ever Dies: Vietnam and the Memory of War.

  • Tonya Foster

    Sep 21| Lectures
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    Poet Tonya Foster is the author of the collection A Swarm of Bees in High Court. Her work has appeared in nocturnes, Callaloo, Traffic, Gulf Coast, and other journals. Her essays have appeared in NY Arts Magazine, NYFA Quarterly and The Poetry Project Newsletter. A co-editor of Third Mind: Teaching Creative Writing Through Visual Art, Foster teaches at California College of the Arts and lives in the Bay Area.

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Graduate Public Practice alumna Christina Sanchez

Nov 8, 2013
Spotlight Category: Student
 
Graduate Public Practice

MFA Public Practice recent grad Christina Sanchez '12

Sanchez Juarez Studio

Born in Woodland, a farming town in California’s central valley, Christina completed her undergraduate degree in Studio Art from San Francisco State University. From 2002 to 2010 she worked at a small inner-city private school in Oakland. During that time, Christina took on various roles: she taught kindergarten, mentored teachers, served as vice principal, and organized the school’s first art program from the ground up. She now lives in Los Angeles and received her MFA from Otis.

In 2011, Christina initiated the Break/Pausa project as a dialogical investigation into the lives of immigrant restaurant workers living in Los Angeles. Break/Pausa is aimed at engaging the most hidden and marginalized people of this workforce, the “Back-of-House Workers.” Through informal interviews, performative interventions, formal performances and installations, and dialogue with advocacy organizations, the project seeks to uncover and archive worker histories as well as raise public awareness about pertinent workers rights and quality of life issues.

Christina has also assisted the artist Suzanne Lacy on a variety of projects, including the historic 1977 performance Three Weeks In May for the exhibition Doin’ It in Public: Feminism and Art at the Woman’s Building, which was a part of The Getty’s Pacific Standard Time Initiative. Christina also produced two exhibition videos for Suzanne Lacy and Pilar Riano’s La Piel de la Memoria Revivida, which were installed in the Museo de Antioquia in Medellin Colombia as a part of the Encuentro Internacional de Medellín 2011 (MDE11).

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