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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Graduate Public Practice alumna Christina Sanchez

Nov 8, 2013
Spotlight Category: Student
 
Graduate Public Practice

MFA Public Practice recent grad Christina Sanchez '12

Sanchez Juarez Studio

Born in Woodland, a farming town in California’s central valley, Christina completed her undergraduate degree in Studio Art from San Francisco State University. From 2002 to 2010 she worked at a small inner-city private school in Oakland. During that time, Christina took on various roles: she taught kindergarten, mentored teachers, served as vice principal, and organized the school’s first art program from the ground up. She now lives in Los Angeles and received her MFA from Otis.

In 2011, Christina initiated the Break/Pausa project as a dialogical investigation into the lives of immigrant restaurant workers living in Los Angeles. Break/Pausa is aimed at engaging the most hidden and marginalized people of this workforce, the “Back-of-House Workers.” Through informal interviews, performative interventions, formal performances and installations, and dialogue with advocacy organizations, the project seeks to uncover and archive worker histories as well as raise public awareness about pertinent workers rights and quality of life issues.

Christina has also assisted the artist Suzanne Lacy on a variety of projects, including the historic 1977 performance Three Weeks In May for the exhibition Doin’ It in Public: Feminism and Art at the Woman’s Building, which was a part of The Getty’s Pacific Standard Time Initiative. Christina also produced two exhibition videos for Suzanne Lacy and Pilar Riano’s La Piel de la Memoria Revivida, which were installed in the Museo de Antioquia in Medellin Colombia as a part of the Encuentro Internacional de Medellín 2011 (MDE11).

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