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  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

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  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • Rear Window

    Kristin Moore
    Thesis Exhibition
    Feb 16th-19th, 2016

    Reception:

    Thursday, Feb 18th, 6-9PM

    Bolsky Gallery
    Otis College of Art and Design
    9045 Lincoln Blvd. 
    Los Angeles, CA 90045 
    310.846.2614


    Gallery Hours: Tues-Fri 10am-5pm, Sat-Sun 12pm-4pm

     

O-Tube

Cake and Eat It

Nov 8, 2013
Alumnae
Spotlight Category: Alumni
Cake and Eat It
 
Graduate Public Practice

Kate Kershenstein + Addie Tinnell = Cake and Eat It

Cake and Eat it

 
Cake and Eat It creates works that deal with the underbelly of gift economy, fashion, anarchism, queer identities and radical unionism. Cake and Eat It has given away copious amounts of free clothes, thrown fashion shows in dingy dinge-holes, hosted anarchist variety shows and salons (yum yum), given away cursed gifts, staged riotous fashion marches, styled defendants for court, run a year-long free boutique and orchestrated an experimental opera tribute to Jean Genet. Their most recent work, Femme Strike, is an investigation into the cultural scripts that pervade radical political forms- the manifesto, the union hall, the picket, the strike. The project questions the utilitarian veneer of politics, instead seeking to elaborate femme methodologies and aesthetics to better mediate between affective bonds and bonds of political solidarity. Project iterations have so far included a series of femmed temporary union halls dispersed throughout Los Angeles, Opera Operaismo: A May Day Opera-As-Flying-Picket, and a forthcoming book exploring femme methods for organizing.
 

Kate Kershenstein

Kate Kershenstein is a Los Angeles based artist who has worked with painting, rituals, commercial design, fashion, street marches, theory, set design and massive piles of stuff to create work about gifting, femme as a methodology and egalitizing everything. She is a co-founder of the Cake and Eat It Collective. She holds a B.A. in Studio Art, and was a recipient of an undergraduate research grant for her painting; her studies there emphasized feminist and contemporary art. Kate has worked as a late-night convenience store clerk, a projectionist, a secretary, a gallery sales associate, a pizza chef, a soda fountain jerk, a museum education programs assistant, and as a department store cashier, while in the meantime gifting out thousands of items of clothes, going to meetings, making the stew for Food Not Bombs, and trying to make art about the potential for a post-hierarchy society. She was born and raised in Denver, Colorado and completed her Otis Public Practice M.F.A. in 2012.
 

Addie Tinnell

Addie Tinnell is an artist and organizer living and working in Los Angeles. She is a co-founder of Cake and Eat It and FTP Party and Gifts. She has a MFA in Public Practice from Otis and a BA in Anthropology and has studied gift economy, the history of queer anarchism and normativity in men’s fashion. Her work explores the themes of politics and aestheticization, femme and trans visibility, police brutality and the social construction of autonomous spaces. She has helped to organize demos, actions, community spaces, lending libraries, free schools and numerous benefit shows as well as the 2010 Bash Back Convergence and the LA Anarchist Bookfair. She was born in Conifer, Colorado.
 

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