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  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

    Seating is limited.

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  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • Rear Window

    Kristin Moore
    Thesis Exhibition
    Feb 16th-19th, 2016

    Reception:

    Thursday, Feb 18th, 6-9PM

    Bolsky Gallery
    Otis College of Art and Design
    9045 Lincoln Blvd. 
    Los Angeles, CA 90045 
    310.846.2614


    Gallery Hours: Tues-Fri 10am-5pm, Sat-Sun 12pm-4pm

     

O-Tube

Academic Excellence: Alec Egan

What's Next?
I had a show in Amsterdam, which was a really amazing experience, and have several shows coming up in L.A.

 

Hometown?
Los Angeles
 

Why Otis?

Otis was always on my mind because Phillip Guston, my favorite painter, attended Otis. I had been out on the road and
alone for a long time, all over the country, thinking that something was going to happen with my painting career. After a few pitfalls, I decided I didn’t know as much as I thought I did, and decided to go to grad school. I saw being back in L.A. and going to Otis as having a grounding effect on me, allowing me to produce work in a place with some modicum of familiarity and, therefore, safety (which I needed).
 

Your thesis project?
It was more or less about “the personal”; my inability to create a fantasy to deal with my fear of the “unknown.” In many ways, it was a kind of existential quest about a fantasy that falls apart.
Interesting things you did outside of school?
I tried a food challenge in Burlington, Vermont three times one year, and ate five pounds of barbecue in an hour. I failed all three times.
 

Most influential class?
Critique was both the most influential and traumatizing.
 

Favorite place in L.A.?
My bedroom
 

Impact on your work/life?
Otis changed my work and my life a lot. It was the most intense experience I’ve ever had. In the best way, it showed me how to go forward with my work rather than being simply happy to do it.
 

Something unusual/idiosyncratic?
I don’t like transitions but I am addicted to them.
 

Information/tips to share with future students?
Keep your head down. Just because you’re an inmate doesn’t mean you have to act like one. Don’t trust the guards, and make as much work in.

Check out a video on Alec's work...

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