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Events
  • Women of Otis, Please Join…. 

     

    Victoria Alonso 

    Executive Vice President of Visual Effects and Post Production, Marvel Studios 
    In a conversation about how to become a successful woman in a male dominated field 

     

    Thursday, October 30 

    The Forum 

    11:00 – 12:30 

     

    *open to women students, faculty and staff.

  • Phillip Zach

    Oct 30| Lectures
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    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Phillip Zach.

    Thursday, October 30th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Visit the Campus. Get advice on your portfolio. Talk to faculty and students. Learn more about financial aid.

     

    Register now for Open House 2014.

     

    CHECK-IN BEGINS AT 12:30
    WORKSHOPS 

    1:00 – 1:45
    Financing Your Education
    Center for Creative Professions: Create Your Future 

    2:00 – 2:45
    Housing Options: Making a Good Fit

  • Creative Action and the Otis Radio class present weekly broadcasts each Monday.

     

    This week 4-6pm is Waves to Asia with DJ Pheonix, DJ Z and DJ Kai, bringing some Asian culture to the air waves, including J-Pop, K-Pop and Chinese Pop, as well as popular anime music. Also as part of the show we will feature a talk about Asian food that you can get and try in Los Angeles.

     

  • Creative Action and the Otis Radio class present weekly broadcasts each Monday.

    This week 4-5pm is Rewind 1976 with DJ’s Gabriel Rojas, Nauseous P, and Little C. Join us to count down the songs on the top of the charts... 1976 style. We'll be playing the hits as if it's that very Autumn day 30+ years ago.

  • Otis Radio: Rap Realm

    Nov 10| Special Event
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    Creative Action and the Otis Radio class present weekly broadcasts each Monday.

  • Scott Short

    Nov 11| Lectures
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    Scott Short | Born 1964 in Marion, OH | Lives and works in Paris, France 

     

O-Tube

Matt Lifson ('12 MFA) LA Times Review

Jan 21, 2014
LA Times Review
Spotlight Category: Alumni

(MFA '12 alumnus) Matt Lifson's paintings pregnant with possibilities at Angles Gallery

December 5, 2013 by Christopher Knight, Los Angeles Times art critic

Five large paintings by Matt Lifson all show virtually the same enigmatic subject -- what appears to be a makeshift tent in the woods at night. But slight differences in tonality, lighting and paint-handling among the five generate unexpected responses.

Serial imagery, given its origins in Claude Monet's repeated studies of grain stacks and an imposing cathedral facade under different conditions of light and weather, tends to have a rather sunnier disposition than what turns up in Lifson's solo debut at Angles Gallery. Grim, even inexplicably creepy, his blue-black “Tent” paintings get you to scrutinize them like a detective at a crime scene.

As a cop would do, you try to create a narrative from pictorial fragments. Is that romantic moonlight illuminating the tent or a police helicopter's piercing searchlight?  Does the tent belong to a vacationing camper or, given what appears to be its improvised nature, a homeless person? Is it shelter from an impending storm?

What's that jagged, sharp-edged but indecipherable whitish object just beneath the fallen tree limb? And speaking of the limb, why do its branches appear to have been stripped?

Going from canvas to canvas (each is around 6 feet by 7 feet), distinctions that at first seem slight steadily grow more stark -- and inexplicably ominous. Spots of white light in the deep, dark indigo woods could be anything from fireflies to nocturnal stalkers. Subtitled with fragmentary musical phrases -- “Sleep in heavenly...” “Lay down my bones with the rocks and roots...,” etc. -- the bleak paintings firmly resist disclosure.

That's their strength: Lifson underscores the degree to which, encountering a picture, we project meanings onto it. These paintings are pregnant with possibilities, horrific or benign, which shift in and out of view across a wide range of emotional registers depending on a viewer's drifting thoughts. In today's picture-saturated world, no wonder things seem so daunting.

The show also includes a floor sculpture composed of 217 gilded bricks, each stamped with a cryptic symbol and laid out in a curve, plus three small folding tables with a depiction of a black jacket painted on peeling paper across each top. More compelling is a wall text in clear, nearly invisible vinyl, its Hebraic font style readable only as fleeting light falls across it. A description of a demon lurks in the text -- if not on the wall, then surely in your head.

 

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