Otis College of Art and Design logo
Events
  • Join us for the ultimate genre mash up as we drop the best hip hop and underground hiphop from all over as well as some of the freshest hard hitting electronic music out today. Presented by DJ Chewby (Pamela Torzan), DJ Snowden (Ryan Snowden) Daybid 1X (David Namkoong), and 90’s Kid (Danial Siddiqui) of the Otis Radio class.

     

  • Come enjoy the awesomeness of Soundtracks from Games, Movies and TV Shows with DJ Tea Time (Joshua Timmons), DJ SurgeMiester (Sergio Betancourt ) and DJ ForGrapeJelly (Steven Escarcega).

     

  • Fine Arts presents a lecture by painter Mary Weatherford. She received her BA from Princeton and MFA from Bard. Weatherford has shown at David Kordansky Gallery in L.A., LAxART in L.A., Brennan & Griffin in New York, and Debs & Co in New York.  In addition, her work is included in collections of MoMA, LACMA, Hammer Museum, Museum of Contemporary Art in San Diego, and OCMA.
    All are welcome
    Series organized by Photography Director Soo Kim
  • Cesar Garcia – Director and Chief Curator, The Mistake Room
    Glenn Kaino – contemporary artist
    Kris Kuramitsu – Deputy Director and Senior Curator, The Mistake Room

    In conjunction with Otis’ Creative Action program, Big City Forum presents a series of four discussions featuring individuals who reinvent social space and redefine how we engage with each other.

  • “Foregrounds” is a show exploring how we listen to sounds. It utilizes field recordings by blending songs and spoken word pieces with the soundscapes in which we listen to them – whether it be played along with Los Angeles traffic, the sound of a meal being prepared, or waves at the beach. Presented by DJ Derek (Corn), DJ Nasera (Alayon), DJ Max (Miles) of the Otis Radio class.

     

  • HOT & HE∆VY

    Apr 28| Special Event
    More

     

  • Tour I: Artists Studios

    May 03| Continuing Education
    More

    Fee: $75
    In conjunction with Freeway Studies #2: Inside the Quad

    Curators Meg Linton and Jeseca Dawson lead a tour of artists studios located "inside the quad." Tour includes transportation, lunch, and snacks.

O-Tube

Matt Lifson ('12 MFA) LA Times Review

Jan 21, 2014
LA Times Review
Spotlight Category: Alumni

(MFA '12 alumnus) Matt Lifson's paintings pregnant with possibilities at Angles Gallery

December 5, 2013 by Christopher Knight, Los Angeles Times art critic

Five large paintings by Matt Lifson all show virtually the same enigmatic subject -- what appears to be a makeshift tent in the woods at night. But slight differences in tonality, lighting and paint-handling among the five generate unexpected responses.

Serial imagery, given its origins in Claude Monet's repeated studies of grain stacks and an imposing cathedral facade under different conditions of light and weather, tends to have a rather sunnier disposition than what turns up in Lifson's solo debut at Angles Gallery. Grim, even inexplicably creepy, his blue-black “Tent” paintings get you to scrutinize them like a detective at a crime scene.

As a cop would do, you try to create a narrative from pictorial fragments. Is that romantic moonlight illuminating the tent or a police helicopter's piercing searchlight?  Does the tent belong to a vacationing camper or, given what appears to be its improvised nature, a homeless person? Is it shelter from an impending storm?

What's that jagged, sharp-edged but indecipherable whitish object just beneath the fallen tree limb? And speaking of the limb, why do its branches appear to have been stripped?

Going from canvas to canvas (each is around 6 feet by 7 feet), distinctions that at first seem slight steadily grow more stark -- and inexplicably ominous. Spots of white light in the deep, dark indigo woods could be anything from fireflies to nocturnal stalkers. Subtitled with fragmentary musical phrases -- “Sleep in heavenly...” “Lay down my bones with the rocks and roots...,” etc. -- the bleak paintings firmly resist disclosure.

That's their strength: Lifson underscores the degree to which, encountering a picture, we project meanings onto it. These paintings are pregnant with possibilities, horrific or benign, which shift in and out of view across a wide range of emotional registers depending on a viewer's drifting thoughts. In today's picture-saturated world, no wonder things seem so daunting.

The show also includes a floor sculpture composed of 217 gilded bricks, each stamped with a cryptic symbol and laid out in a curve, plus three small folding tables with a depiction of a black jacket painted on peeling paper across each top. More compelling is a wall text in clear, nearly invisible vinyl, its Hebraic font style readable only as fleeting light falls across it. A description of a demon lurks in the text -- if not on the wall, then surely in your head.

 

Tags