Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

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Crave Profiles Fine Arts Alumnus Tofer Chin

Tofer Chin: Inspirations, Angulations, and Egg Men

By Alicia Eler

One of artist Tofer Chin’s favorite art memories involves passing notes under a glass door at the Hammer Museum with Barry McGee.

“One night around midnight, I was coming home from a late night class I had at Otis and I saw Barry McGee painting through the window at the Hammer Museum. So I got out of the car and was just staring at him. Then he started talking to me through the window,” says Chin. “He was locked in the museum. We kept talking and exchanged drawings underneath the museum door.”

That coincidental magical moment, when a young artist meets one of their older artist heroes and actually makes a connection – a memory that will continue to influence them creatively – always happens by chance.

That happened more than 10 years ago, back when Chin was an undergraduate at Otis College of Art and Design. Since then, he’s had solo shows in San Francisco, New York, and Barcelona, created large public installations in Rio de Janeiro and Sao Paulo, and published two books of photography (Finger Bang and Vacation Standards).

When we met up, the 36-year-old artist was positioned on a lift, methodically painting strokes of white onto the silver wall of an empty, giant silver freezer that used to house thousands of packaged mochi ice cream. Located in a warehouse-filled Arts District of downtown Los Angeles, this freezer and the surrounding empty spaces — perfect for Tofer and artists like him who like to go as big as possible with their work, painting onto walls, sides of buildings, and existing urban and rural architecture — would be home to the Be Street Weeknd Festival, to celebrate the U.S. launch of the magazine of the same name.

Lanky, with closely shaved black hair, Tofer Chin grew up in the San Fernando Valley, and now lives in Silver Lake. He spent his childhood years falling in love with Saturday morning cartoons (his favorites were He-Man and The Transformers), copying cassette cover-art from Def Leppard and Guns N' Roses albums, and redrawing comics like Calvin and Hobbes and Garfield.

From an early age he knew that he would do something in the arts.

“I wanted to make a cartoon, but I didn’t know if I was going to be an illustrator or photographer,” Chin says. “But when I was in high school I was dabbling with a lot of drawing and painting. It wasn’t until I took my first oil painting class that I immediately fell in love with painting — and I haven’t stopped since.” Read more here.

Source: Crave

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