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  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

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  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

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Academic Excellence: Lilit Garibian

Why Otis?
Seeing the display of student work convinced me. Also, I was really excited about working on mentor projects!

 

Hometown?
Glendale, California

 

Your thesis project?
In my senior year I worked with two mentors—Cynthia Vincent (’86) and Betsy Heimann of Western Costume. The process includes developing material boards, illustrations, sketch selection, pattern drafting, draping and sewing, and several fittings. We create all the garments from scratch.

 

Interesting things you did outside of school?
Last summer I interned in New York. I knew I’d love the city, and it was everything I thought it would be.

 

Most influential class?
Design/portfolio, especially the CFDA (Council of Fashion Designers of America) project. We had to complete the project in a very intense and short few weeks, and for the first time we were working on our own concepts and ideas.
I learned a lot about myself as a designer, as I was allowed almost total creative freedom.

 

Most influential faculty member?
I had the pleasure of working with many great instructors, but I have to say that Jill Higashi had a huge impact on me. Her work ethic and the discipline she instills are a big part of the success of Otis fashion design! She continually inspired me, believed in me, and molded me into
a much better designer!

 

Favorite place in L.A.?
I’ve been going to the Getty since I was a kid. Other than the beautiful art, I love the architecture and the tram. My favorite part is the garden. Also, the view of L.A. is wonderful!

 

Impact on your work/life?
My three years were a life-changing experience. Many difficult times seemed impossible to overcome, but I always came through; every time I accomplished something, I proved to myself that I could do it. After surviving Otis, there is no
task that I cannot handle. Bring it on! Also, I made some of the best friends I’ve ever had. We were like crazy family members who loved and sometimes hated each other. We couldn’t have done it without each other’s support.

 

What’s next?
I am living in Seattle and working as an associate designer for women’s knits at Eddie Bauer. I was a bit hesitant at first about moving to Seattle, but I really love it here. It’s perfect for me!

 

Something unusual/idiosyncratic?
I usually have extreme feelings about things/people.

 

Information/tips for future students?
Go to Otis only if you are very serious about becoming a professional artist/designer. Take it as the greatest challenge of your life, and set your mind to believing that you will get through it no matter what and see it to the end. I focused 98 percent of my life on school. It was extremely challenging, but in the end it was so worth it. If you are really passionate, then it shouldn’t feel too much like work.

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