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Events
  • Otis Family Night

    Feb 27| Special Event
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    FRIDAY, FEBRUARY, 27TH

    4:00 – 8:30 PM

    • Hands-on studio workshops taught by Otis faculty
    • A guided exhibition tour in the Ben Maltz Gallery
    • Info session about travel study to Brazil, Japan, London, and beyond
    • A presentation about the student internship/job search process  

  • Ghost particles / THESIS EXHIBITION 



    Exhibition, March 3 - 7, 2015 

    Reception, Thursday March 5, 6:00 - 9:00pm
 

    
Map of Location

     

  • Charlie White

    Mar 03| Lectures
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    Charlie White is a photographer and filmmaker whose work has been exhibited internationally since 1999. White holds the position of Associate Professor at the University of Southern California’s Roski School of Fine Arts.
     
  • Torbjørn Rødland is a Los Angeles-based photographer known for portraits, still lives and landscapes that transcend their often banal settings and motifs and move into the otherworldly. Since the late 1990s, his work has been exhibited widely.

     

    Image: Torbjørn-Rødland-courtesy-MACK-www.mackbooks.co.uk

     

    rodland.tumblr.com/

  • Composer Kubilay Üner offers a “reactive” experience with a live presentation of a new composition made in response to the exhibition Angie Bray: Shhhh. The performance will be interspersed with conversation between Üner and Bray.

  • Kathryn Andrews gets some of her best ideas driving around Los Angeles, where the visual contradictions she sees every day find their way into her art. Andrews, who is originally from Mobile, Alabama, is known for the commonplace objects she fabricates from highly polished and painted metal, into which she incorporates inexpensive or borrowed finds, including rented Hollywood props.

  •  

    Los Angeles Premiere Screening of 

    The State of Creativity

    A Look into the Otis Report on the Creative Economy

    Otis College of Art and Design is pleased to announce the formation of a media partnership with KCETLink. The partnership will bring the 2014 Otis Report on the Creative Economy of the Los Angeles Region and the State of California into the digital age through an interactive, multi-platform presentation developed by, and for, KCETLink’s award-winning arts and culture series, Artbound.

O-Tube

Karen Moss

Karen Moss
Senior Lecturer
Education: 

MA, Art History and PhD candidate, University of Southern California

BA Studio Art and Art History, University of California, Santa Cruz

Bio/Affiliation: 

Karen Moss is an art historian, curator and educator who has worked in museums and academic positions since 1980. She has been Senior Faculty in the Graduate Public Practice Program at the Otis College of Art and Design since 2008 and was recently appointed as the college’s Interim Director of Galleries and Exhibitions. She is overseeing artists’ residencies, exhibitions and public programs at the Ben Maltz Gallery, including the Otis project for the Getty’s Pacific Standard Time’s Los Angeles/Latin America.


Previously, Moss was Deputy Director of Exhibitions and Programs and Curator of Collections at Orange County Museum of Art (OCMA) from 2005 - 2010. She co-curated State of Mind: New Art from California Circa 1970 for the Getty’s Pacific Standard Time initiative in 2011 and subsequently the exhibition travelled to the UC Berkeley Art Museum/Pacific Film Archives, the Belkin Gallery, University of British Columbia, Vancouver; SITE Santa Fe, the Bronx Museum of Arts, and the Smart Museum, University of Chicago. Some of her other OCMA exhibitions included: 15 Minutes of Fame: Portraits from Ansel Adams to Andy Warhol  (2010) Illumination: The Paintings of Georgia O’Keeffe, Agnes Pelton, Agnes Martin and Florence Pierce (2009);Disorderly Conduct: Recent Art in Tumultuous Times (2008) and Art Since the 1960s: California Experiments (2007-08).  Moss was co-curator and catalogue essayist for the 2006 California Biennial and organized artists’ residencies, performances and public programs for the 2006, 2008 and 2010 biennials.

 

Prior to OCMA, Moss was Director of Exhibitions and Public Programs at San Francisco Art Institute (1999-2004) where she curated exhibitions such as Sharon Lockhart/Kelly NipperJames SienaTopographies, and The World on Its Head: Contemporary Belgian Art and organized Touch: Relational Art from the 1990s with Nicolas Bourriaud. Moss also did international residencies with artists Ghada Amer, Tania Bruguera, Lee Bul, Wim Delvoye, Pierre Huyghe/Philppe Parenno, Los Carpinteros and Rikrit Tiranvanija. 

As Director of Education and Community Programs and curator at the Walker Art Center (1995-1999) she curated Performance in the 1970s: Experiencing the EverydayArt of the 1960s: Media is the Message, co-curated Visitor’s Voices: Recomposing the Collection, and also organized many artist residences and public programs.

Moss was the first Director of Programs at the Santa Monica Museum of Art (1989-1993) where she curated exhibitions such as Altered Egos: Making As Another andKim Abeles: Encyclopedia Persona and organized Art in the Raw the museum’s inaugural site-specific installations that evolved into SMMOA’s  Artists’ Project Series. Earlier in her career she was an Assistant Curator at MOCA, Los Angeles (1985-87) and attended Whitney Independent Study Program in Art History and Museum Studies.

Moss has a B.A. in studio art and art history from U.C. Santa Cruz, and did her graduate work in art history at U.C. Berkeley and University of Southern California, where she is completing her PhD. in art history. She has taught undergraduate and graduate level art history, critical theory and curatorial studies at art schools and universities including Cal State University, Long Beach, Otis College of Art and Design; San Francisco Art Institute, and University of Southern California. Moss has authored numerous museum exhibition catalogues, written guest essays for arts publications, and contributed to scholarly journals. Recent publications include, an in-depth article on Martha Rosler for Feminist Studies Journal (2013) and an essay on the re-imagining of Bonnie Sherk’s Portable Park IV for an upcoming book on theGetty’s Pacific Standard Time Performance and Public Art Festival.