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  • Rodney McMillian (born in Columbia, South Carolina) is an artist based in Los Angeles.
  • Michael Joyce

    Sep 17| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Twentieth-Century Man by Michael Joyce. Starting with a disappearance, Twentieth-Century Man contemplates issues imbedded in aging, memory, language, family, and even life and death, covering and uncovering many profound mysteries.

  • Alice Konitz

    Sep 18| Lectures
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    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Alice Konitz.

    Thursday, September 18th 11:115am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

    Image from alicekonitz.com

     

  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

O-Tube

Debra Ballard: 2007 TLC Technology Grant Report


Excerpt:

Teaching Uncovered

What are Best Teaching Practices and why should we care? I believe most of us teach at Otis because we genuinely care about the students and their learning (and I can say from experience that is not true of all colleges). However, as faculty we come with many different backgrounds and levels of preparation. I distinctly recall the very first time I walked into my own class (18 years ago, when I was mere 16). I was excited and intimidated. It was then I realized teaching was both an art and a science and became interested in pedagogy, or "the art or science of being a teacher, generally refer[ring] to strategies of instruction or a style of instruction." Up until then I must confess that I assumed if you knew your content, you could watch others do it, use them as a model, and then call upon some teaching gene and perform effortlessly. Though my evals were good and the students seemed to learn, I felt like a fraud, albeit one clever at disguising my inexperience. This was the first time I had the "teaching naked" dream (and in my 18 years of teaching. I’ve become quite the exhibitionist, usually just before the semester begins).

--Debra Ballard
Chair, Liberal Arts and Sciences

View full blog post [originally posted on the O Teaching Matters Blog]