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  • Otis Fine Arts hosts a Visiting Artist lecture series featuring John Houck, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Jesse Benson (b. 1978) is an artist based in Los Angeles. Benson's complex practice is driven by the perversion of roles and representation that characterize his generational moment. In obsessively "skillful" objects like the Bureau Paintings, Catalog Page Paintings, Future Sculptures, and Repaintings, Benson constantly questions the authenticity of the document, the function of style, and the value of both art and artist. Benson is equally committed to a curatorial/organizational practice that openly overlaps and inspires his object production.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by Nick SeierupPrincipal | Design Director of Perkins+Will, Los Angeles, on Thursday, December 3, 2015.


  • Marisa Silver is the author most recently of the New York Times bestselling novel Mary Coin. Her other books include the novels No Direction Home and The God of War (a finalist for a Los Angeles Times Book Prize), as well as two story collections, Babe in Paradise and Alone with You. Her work has appeared in The New Yorker and been included in many anthologies, including The Best American Short Stories and The O. Henry Prize Stories. Silver lives in Los Angeles.

  • Jesse Lerner is a filmmaker based in Los Angeles.  His short films Natives (1991, with Scott Sterling), T.S.H. (2004) and Magnavoz (2006) and the feature-length experimental documentaries Frontierland/Fronterilandia (1995, with Rubén Ortiz-Torres), Ruins (1999) The American Egypt (2001), Atomic Sublime (2010) and The Absent Stone (2013, with Sandra Rozental) have won numerous prizes at film festivals in the United States, Latin America and Japan.

  • Otis faculty member Dana Berman Duff will present a program of short 16mm and digital films in her "Catalogue" series.

  • Performing the Grid is an exhibition that brings together an intergenerational group of artists and cultural producers that utilize the grid as a performative strategy to examine, challenge and position philosophical, political, social, domestic, corporeal, and mythical perspectives. Rosalind Kraus famously wrote that the grid “functions to declare the modernity of modern art” in her 1979 essay, Grids.


Faculty Member

Continuing Education Faculty

Michael Wright

Michael Wright graduated from the University of Washington and began to explore New Media in the mid 1980’s on an Amiga computer. His paintings are represented in “Imaging by Numbers: A Historical View of Digital Printmaking in America” by Patrick Prince for the “Art Journal” published by the College Art Association, “The Art of the Digital Age” by Bruce Wands, “Going Digital” by Joseph Nalven and JD Jarvis, "Computer Graphics World" '25 year Retrospective of Digital Art" in its January 2002 issue and in the magazine’s "Portfolio" section in the November 2001 issue. Profiled in "Computer Graphics Companion" edited by Jeffrey McConnell, Anthony Ralston, and Edwin Reilly, and also appears in "The Computer in the Visual Arts" by Anne Morgan Spalter, and in Linda Jacob's seminal book, "CyberArts: Exploring Art & Technology". Wright's prints are in the collection of the Victoria and Albert Museum in London. Wright is a professor in the Digital Media Program at Otis College of Art and Design. He served as Art Gallery Chair for ACM SIGGRAPH 2003 in San Diego, California. Wright was part of SIGGRAPH’S first Artists in Residence Program at SIGGRAPH 2007 and was included in the SIGGRAPH international exhibition “Global Eyes”.

2016 Spring Session course(s) instructed by Michael Wright: