Events
  • Viet Thanh Nguyen’s bestselling novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, the First Novel Prize from the Center for Fiction, and a Carnegie Medal from the American Library Association. It was also a finalist for the PEN/Faulkner Award and the PEN/Robert W. Bingham Prize for Debut Fiction. Nguyen is also the author of Race and Resistance: Literature and Politics in Asian America and Nothing Ever Dies: Vietnam and the Memory of War.

  • Tonya Foster

    Sep 21| Lectures
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    Poet Tonya Foster is the author of the collection A Swarm of Bees in High Court. Her work has appeared in nocturnes, Callaloo, Traffic, Gulf Coast, and other journals. Her essays have appeared in NY Arts Magazine, NYFA Quarterly and The Poetry Project Newsletter. A co-editor of Third Mind: Teaching Creative Writing Through Visual Art, Foster teaches at California College of the Arts and lives in the Bay Area.

  • Steven Ehrlich and Frederick Fisher will present their firms’ collaboration as EHRLICH | FISHER on Otis College’s new Goldsmith Campus Academic Building and Residence Hall. The campus-wide expansion and renovation project includes a new academic building, 300-seat Forum (the venue for this lecture), café and dining commons, Student Life Center, and residence hall.

     

  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.

  • Artist Polly Apfelbaum in conversation with Connie Butler, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

O-Tube

Faculty Member

Continuing Education Faculty

Alison Saar & Sarah Lewis

Alison Saar Informed by artistic traditions from the Americas to Africa and beyond, and by her mixed racial upbringing, Alison Saar fuses her paradoxical responses to the black-and-white delineations of political and social forces into a powerful, visual, and kinesthetic tension. She uses the history and associations of her materials, everyday experience, African art and ritual, Greek mythology, and the stark sculptural tradition of German Expressionism to infuse her work with a primal intensity that challenges cultural and historic references and stereotypes. STILL ... gathers together for the first time four never-exhibited works made during a residency at Pilchuck Glass School in Seattle with six new bronze and mixed-media sculptures. Saar has achieved broad recognition for her studio and public art throughout the country. Her work is held in many collections including the Museum of Modern Art, Hirshhorn Museum and Sculpture Garden, and Metropolitan Museum of Art; and she has major public art works in Los Angeles, New York and Chicago. She has received numerous prestigious awards from the Guggenheim Foundation, Anonymous Was a Woman, and the National Endowment for the Arts. Ms. Saar received her MFA in 1981 from Otis College of Art and Design.

Sarah Lewis Scholar, writer, and curator Sarah Lewis is currently finishing her book, RISE, a book that draws on her work in the arts and expands into sports, business, psychology, sociology, and science. Selected for Oprah’s 2010 “Power List,” and included as a member of President Obama’s Arts Policy Committee, her writing has been published widely. Her Yale dissertation on Frederick Douglass, The Circassian Beauties and American Racial Formation, is now under contract with Harvard University Press (2014 release). Ms. Lewis has been an active curator, holding positions at both the Tate Modern and the Museum of Modern Art. She was also selected to be the Co-Curator of the 2010 SITE Santa Fe Biennial. She sits on the boards of the Harvard University Alumni Association, the CUNY Graduate Center, the Andy Warhol Foundation for the Visual Arts, and the Brearley School, and she is on the Art Advisory Committee of Madison Square Park. She received a B.A. from Harvard University, magna cum laude, an M.Phil. from Oxford University with Distinction as a British Marshall Scholar, and will receive a Ph.D. from Yale University in 2012. She is on faculty at Yale University, School of Art in the M.F.A. program.

2016 Fall Session course(s) instructed by Alison Saar & Sarah Lewis:
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