Events
  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Welcome to the Haunted Boulevard. Join DJ Platinum (Grace Potter) and DJ Batsy (Jessi Hita) for a journey of the folklores, urban legends, and paranormal encounters from different cultures. 

     

    Listen online at KLMU.

  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

  • Mexican artist Yoshua Okón’s videos blur the lines between documentary, reality, and fiction. He collaborates closely with his actors (often amateurs who are also the subjects of the work) to create sociological examinations that ask viewers to contemplate uncomfortable situations and circumstances.
  • Dana Johnson is the author of the short story collection In the Not Quite Dark. She is also the author of Break Any Woman Down, winner of the Flannery O’Connor Award for Short Fiction, and the novel Elsewhere, California.

  • Gallery 169 will be hosting the Otis College of Art and Design Communication Arts Graphic Design Junior Show, "5328," displaying a selection of work made over the five thousand twenty eight hours that make up the fall and spring semesters of the academic year. Work will include collected posters, publications, and typographic projects.
  • Clay, Body is a solo exhibition from artist Sydney Aubert: Unapologetically fat, crass, and sexual, a ceramics artist who also works in video, and whatever other materials arouse her in the moment. Exhibition will be on view from Monday, April 24 - Friday, April 28 at the Bolsky Gallery, Otis College of Art and Design. On view by appointment only, please contact the artist at sydney.aubert@gmail.com Reception: Thursday, April 27 | 6pm-9pm Bolsky Gallery, Otis College of Art and Design

  • Audrey Wollen is a feminist theorist and visual artist based in Los Angeles. Wollen uses social media, such as Twitter and Instagram, as platforms for her work on Sad Girl Theory, a theory which posits that internalized female sadness can be used as a radical and political action, separate from masculinized forms of protests such as anger and violence. She introduces this form of protest as an alternative to masculinized anger and violence.

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Faculty Member

Continuing Education Faculty

Alison Saar & Sarah Lewis

Alison Saar Informed by artistic traditions from the Americas to Africa and beyond, and by her mixed racial upbringing, Alison Saar fuses her paradoxical responses to the black-and-white delineations of political and social forces into a powerful, visual, and kinesthetic tension. She uses the history and associations of her materials, everyday experience, African art and ritual, Greek mythology, and the stark sculptural tradition of German Expressionism to infuse her work with a primal intensity that challenges cultural and historic references and stereotypes. STILL ... gathers together for the first time four never-exhibited works made during a residency at Pilchuck Glass School in Seattle with six new bronze and mixed-media sculptures. Saar has achieved broad recognition for her studio and public art throughout the country. Her work is held in many collections including the Museum of Modern Art, Hirshhorn Museum and Sculpture Garden, and Metropolitan Museum of Art; and she has major public art works in Los Angeles, New York and Chicago. She has received numerous prestigious awards from the Guggenheim Foundation, Anonymous Was a Woman, and the National Endowment for the Arts. Ms. Saar received her MFA in 1981 from Otis College of Art and Design.

Sarah Lewis Scholar, writer, and curator Sarah Lewis is currently finishing her book, RISE, a book that draws on her work in the arts and expands into sports, business, psychology, sociology, and science. Selected for Oprah’s 2010 “Power List,” and included as a member of President Obama’s Arts Policy Committee, her writing has been published widely. Her Yale dissertation on Frederick Douglass, The Circassian Beauties and American Racial Formation, is now under contract with Harvard University Press (2014 release). Ms. Lewis has been an active curator, holding positions at both the Tate Modern and the Museum of Modern Art. She was also selected to be the Co-Curator of the 2010 SITE Santa Fe Biennial. She sits on the boards of the Harvard University Alumni Association, the CUNY Graduate Center, the Andy Warhol Foundation for the Visual Arts, and the Brearley School, and she is on the Art Advisory Committee of Madison Square Park. She received a B.A. from Harvard University, magna cum laude, an M.Phil. from Oxford University with Distinction as a British Marshall Scholar, and will receive a Ph.D. from Yale University in 2012. She is on faculty at Yale University, School of Art in the M.F.A. program.

2017 Summer Session course(s) instructed by Alison Saar & Sarah Lewis:
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