Events
  • Intern Recruitment Day

    Mar 30| Special Event
    More
    Continental breakfast will be from 8:00 – 8:45, interviews will take place from 9:00 am – 12:00 pm. Otis welcomes companies that are recruiting for Summer internships in the following areas: Architecture/Landscape/Interiors, Digital Media, Communications Arts, Fashion Design, Fine Arts, Product Design, Toy Design.
  • A quintessentially Los Angeles artist, Larry Johnson has worked for over 4 decades investigating the inherent contradictions between the shiny surfaces and underlying cynical logics of American culture. His works reference the languages of animation (especially the fantasy worlds of Walt Disney), graphic and commercial design, and advertising.

  • A limited number of tickets are available to FUN HOME, an emotionally charged and poignant family drama, inspired by the graphic novel of the same name by Alison Bechdel, in which she explores her coming out and the suicide of her domineering father Bruce. Sign up in the Office of Student Activities located in the Student Life Center Room 150E.

  • Transfer Day

    Apr 01| Admissions
    More

    At Transfer Day, prospective transfer students are invited to take a tour of campus, have their questions answered in a one-on-one appointment, and learn how to make a smooth transition to Otis College. If you are considering transferring into one of our programs, please join us on Saturday, April 1, 2017 from 12-3pm. 

     

  • Edgar Arceneaux was born in Los Angeles in 1972. He investigates historical patterns through drawings, installations, and multimedia events, such as the reenactment of Ben Vereen’s tragically misunderstood blackface performance at Ronald Reagan’s 1981 Inaugural Gala.

  • Rejuvenating Yoga

    Apr 04| Student Event
    More

    All students and Otis College community welcomed and encouraged to participate. Visiting artist Catherine Tingey facilitates the Yoga class!

  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.5 by Michiel Riedijk at MOCA.

     

    Michiel Riedijk regularly lectures at universities, cultural institutions and symposia worldwide. His theories and writings on architecture have gained international recognition from fellow architects and scholars. The work of Neutelings Riedijk Architects has received worldwide appreciation through numerous publications, international awards and exhibitions around the world. - Neutelings Riedijk Architects

O-Tube

Continuing Education Course



Integrating the Arts for Educators


Learn how to empower students to think critically and creatively through interdisciplinary art projects that are influenced by the current exhibit in the Ben Maltz Gallery. Begin the day by viewing and discussing the current exhibition in Otis’ Ben Maltz Art Gallery “Freeway Studies #2: Inside the Quad”. To create this exhibition, curators Meg Linton and Jeseca Dawson embarked on an unplanned journey through artist studios in Los Angeles’ diverse and complex metropolis. The exhibition is about serendipity, or the element of surprise that occurs when allowing the journey to unfold naturally rather than predetermined. Using the exhibit as a springboard, you’ll engage in rich discussions about contemporary art and artists in this region. Then you’ll be guided to produce a work of art that is influenced or inspired by an aspect of the exhibit. Workshop covers themes and questions regarding contemporary art; provides ways to enrich student learning; and builds student’s self-confidence, motivation, and self-discipline.

Prerequisite: None

First class materials: Bring photos, images, objects, maps, etc. that represent you and your community and note-taking materials.


There are no sections for this course for this semester.
Course Details
Course Code: XAED1200
Meetings: 1
Credit Hours: .5 CEU
Lab:
Tell a friend about this course
Friend's Email:

Ask a Question

More Courses in this Discipline




 

Otis College Ranked 6th in Nation by The Economist