Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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Continuing Education Course



Perspective Drawing


Developed during the Renaissance, perspective was as innovative then as the Internet is today. Perspective enabled artists to create the illusion of depth, volume, and three-dimensional space on a two-dimensional picture plane. Interior design is concerned with the creation of living, working, and hospitality environments. The spaces themselves, as well as their contents, needs to be rendered both two and three-dimensionally. This is accomplished through using grids, floor plans, and one-point and two-point perspective drawings. Floor plans help to illustrate a design concept. One-point and two-point perspective grids help bring the designer’s vision into reality. In this hands-on course, students gather reference photos of furniture, accessories, and plants to fill their rooms, and render them in felt-tip markers. Students work in class every session – bring supplies to all class meetings.

Prerequisite: XDWG1001 Drawing & Composition

First class materials: 36” metal T-square, 30/60 14” plastic triangle, H, HB, and 2B drawing pencils (two each), drafting dots or masking tape, tracing paper roll (18” wide), 18”x24” marker pad (Graphics 360), 10, 30, 50, 70, 90, & black felt-tip markers (cool gray), black Tombo brush tip pen, kneaded eraser, hard eraser

Course Details
Course Code: XPRD7607
Meetings: 10
Credit Hours: 1
Lab:
Section 1 Product Design
Instructor: Scott Zaragoza
Meeting Day(s): Monday
Meeting Time(s): 7 p.m. - 10 p.m.
Meeting Date(s): February 06, 2017  -  April 24, 2017
No Meeting/Special Note: No mtg: 2/20 & 3/20/17
Class Size: 16
Meeting Room:
Location: Goldsmith Campus
9045 Lincoln Blvd.
Los Angeles, CA 90045-3505
Registration
Credit: Reg #: Fee:
Non-Credit 15282 $435  
Certificate 15283 $475  
Credit 15384 $1370  
16 of 16 seats available (last 2 seats are not available online)
Early bird = $50 EARLY BIRD DISCOUNT applied to individual adult courses $435 or more (ends at Open House).
* 2.75% fee to pay online. Read More
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