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  • Angie Kim

    MFA Exhibition: SAME

    Reception Thursday, Feb 6th, 6-9 pm

  • Amy Adler

    Feb 03| Lectures
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    Amy Adler graduated from Cooper Union and received an MFA in Visual Art from UCLA and an MFA in Cinematic Arts from USC. She has had one person shows at the Museum of Contemporary Art Los Angeles, the Museum of Contemporary Art San Diego and The Aspen Art Museum as well as galleries worldwide. 
     
  • same / mfa THESIS EXHIBITION 



    Angie Kim

    Exhibition, February 2 - 8, 2015 

    Reception, February 5, 6:00 - 9:00pm
 

    
Map of Location

     
  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • Alex Israel

    Feb 10| Lectures
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    The work of Alex Israel is deeply entwined with his hometown of Los Angeles. The artist creates art that riffs on Hollywood culture and the cult of celebrity. His first major body of work consisted of rented studio props, transformed into readymades by their placement in the gallery—some blatantly obvious in their artificiality. He gave celebrities the same treatment in the video series “As It Lays”, video portraits based on campy TV talk shows.
  • Menno Cruijsen, Lava Design
    February 12, 12:30-1:30, Ahmanson 6th floor

    Lava was founded in 1990 by creative director Hans Wolbers (the Netherlands, 1965). The current team consists of 10 talented designers and three projectmanagers. The agency is focused on creative strategy, editorial design and dynamic identities.

    http://www.lava.nl

  • MAKING SENSE / Thesis Exhibition 



    Exhibition, February 16 - 21, 2015 

    Reception, February  19, 6:00 - 9:00pm
 

    
Map of Location

     

    

Website: www.rachelwolfe.com | Blog: howlya.tumblr.com

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Continuing Education Course

SEM: 40


Stop-Motion Animation


This hands-on course provides a strong foundation in stop-motion animation using nonlinear video editing skills and techniques. Editing software including Final Cut Pro and Photoshop is used to create projects that focus on continuity, screen direction, and narrative clarity. Course covers:Building a model/character/subject, shooting a scene, capturing, organizing workflow, building rough cuts by working with timelines and clips, refining rough cuts through the use of trimming, refining timing, and applying transitions. Working in small teams, the class’s primary project is a short narrative video, which is then used as the basis to explore animation/editing approaches and techniques. Using the same footage, each student creates their own edit of the narrative, refining and focusing it over the course of the term. Hands-on tutorials reinforce technique and concepts introduced in lecture and demonstrations. Films and videos that demonstrate key concepts from lecture material are screened and discussed. Students also learn basic terminology and receive an overview of career options in the editing and animation field.

Prerequisite: Storyboarding, Digital Story Telling, Production - FCP, Photoshop a plus.


There are no sections for this course for this semester.
Course Details
Course Code: XDMA9250
Meetings: 9
Credit Hours: 1
Lab:
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