Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

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Continuing Education Course



Fresco Painting - Past and Present


Students learn traditional techniques to produce fresco paintings on panel in a contemporary context. During this studio-based course, participants create fresco panels using buon fresco techniques. Buon fresco is a method of painting, which involves the application of pigments, finely ground in water or limewater, to a freshly plastered wall or panel. Students are shown methods of transferring designs to the fresco panel. Students are shown methods of transferring designs to the fresco panel. The choice of appropriate ‘dry pigment’ and its preparation are discussed, along with other technical and artistic considerations, to develop a working knowledge of the technique. Each student completes over four (TBD) fresco study tiles and panels. In addition Mezzo and Secco fresco methods and restoration and conservation techniques are discussed during the class. In mezzo fresco water based pigment is applied over semi-cured lime plaster ground. In fresco secco water-based pigment with an addition of a binder, is applied over fully cured plaster ground.

Dates:
Sundays; 6/28 & 7/12 9:30am-3:30pm
Wednesdays; 6/3, 6/10, 6/17, 6/24, 7/1, & 7/8 7-10pm

Prerequisite: None

First class materials: TBD


There are no sections for this course for this semester.
Course Details
Course Code: XPTG9015
Meetings: 6
Credit Hours: 1
Lab: $35
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