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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Continuing Education Course

SEM: 39


Urban Noir: Night Photography in Los Angeles


Join internationally renowned night photographer, Helen K. Garber, as she guides students through the specialized techniques of night photography. A collaboration with the Skirball Cultural Center, this special course coincides with two exhibitions entitled, Light & Noir: Exiles and Émigrés in Hollywood, 1933-1950, as well as The Noir Effect. The course begins at the Skirball for a walkthrough of the exhibition with curators, Doris Berger and Linde Lehtinen, and an introductory meeting to prepare students for the shoot. Following meetings consist of on location shoots at three Los Angeles Landmarks, as well as a final critique at the Skirball. Night photography locations include the world famous Santa Monica Pier (sanctioned by the Santa Monica Pier Restoration Corporation), Venice, and the Skirball Cultural Center itself. The second session meets late in the day, in the private quarters of the Pier Restoration Corporation, the old apartments above the landmark Carousel, a special treat in itself. After a preliminary discussion and a tour with your instructor to point out the best vantage points, students watch and evaluate the available light, to be ready to shoot by sunset. Shooting continues through dusk and nightfall. The next two meetings follow a similar plan, while the final meeting takes place back at the Skirball for a critique of the students’ best work.

Prerequisite: Students are expected to understand how to use their camera, including ISO, speed, and aperture settings.

First class materials: Note-taking materials. Film cameras are acceptable for the shoot, with t-max 400 or 3200 film, but digital cameras are recommended. A mini Tripod or tripod is mandatory for shooting at the pier.

11/5 class meets from 4-9pm on site at the SM Pier

Course Details
Course Code: XPHO2080
Meetings: 6
Credit Hours: NC
Lab:
Section 1 Photography
Instructor: Helen K Garber
Meeting Day(s): Wednesday
Meeting Time(s): 7 p.m. - 10 p.m.
Meeting Date(s): October 29, 2014  -  December 10, 2014
No Meeting/Special Note: no mtg: November 26, 2014
Class Size: 14
Meeting Room:
Location: Skirball Cultural Center
Registration
Credit: Reg #: Fee:
Non-Credit 35460 $285 Add to Cart
6 of 14 seats available (last 2 seats are not available online)
Early bird = $50 EARLY BIRD DISCOUNT on courses $395 or more (ends at Open House).
* 2.75% fee to pay online. Read More
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