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Events
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

  • Otis Graduate Writing students will read from their works-in-progress.

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Continuing Education Course

SEM: 42


Narrative Painting: The Pot Liquor of Existence


Inspired by a quote by 20th century writer and anthropologist Zora Neale Hurston, in speaking about her life’s work, “Folklore is the pot liquor of human existence”, this course focuses on creating work with storytelling at its heart. From participants who draw stick figures or amateur cartoons, to artists with more advanced training, emphasis is on imagination and productivity over the acquisition of technical skills. Students create a minimum of three two-dimensional artworks while exploring narrative painting including autobiographical, biographical, personal, historical, mythological, sequential art, genre scene, social commentary, and current topics and issues. Course includes lecture, discussion, readings, as well as group and individual critique.

Prerequisite: None

First class materials: Note-taking materials


There are no sections for this course for this semester.
Course Details
Meetings: 10
Credit Hours: 1
Lab:
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