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Events
  • Otis welcomes the Japan Foundation and honored guests Kashiwagi Hiroshi and Yoshifumi Nakamura for a lecture on contemporary Japanese design. 
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

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Continuing Education Course

SEM: 42


Plastics, Pinholes, and Point and Shoots


While modern digital cameras move perpetually, toward “perfecting” the photographic image, more and more photographers and artists are turning to unconventional cameras to explore the aesthetic possibilities that often result from these cheaply made cameras. While digital imaging tools now dominate commercial photography, low end, analog cameras have made a come back because their flaws and peculiarities often lead to unique and more interesting results. In this course students use cameras that are stripped down to their basic elements, to gain a better understanding of the elements of the photographic process. Though slide lecture, demonstration, and hands-on projects students explore use of pinhole cameras, Holga cameras, analog point and shoot cameras, and experimental large scale pinhole photography.

Prerequisite: None

First class materials: TBD


There are no sections for this course for this semester.
Course Details
Meetings: 10
Credit Hours: 1
Lab: $35
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