Events
  • Alex Olson

    Dec 06| Lectures
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  • Marisa Matarazzo is an Assistant Professor in the Graduate Writing program at Otis. She is the author of Drenched: Stories of Love and Other Deliriums, which Aimee Bender called "a collection that marks its own territory and stamps it out with a textured beauty." Her work has appeared in Faultline, Hobart, Fivechapters, Unstuck, and other literary journals, and she has taught at UCLA Extension, the Art Institute of California, Los Angeles, and UC Irvine.

  • Gracie DeVito’s work challenges codified modes of art making and production; the output of the work shifts fluidly from painting, to sculpture, to found objects, to performance. Characters and motifs, manifested by DeVito herself or by the characters she creates, rotate through the 2D and 3D spaces of her pieces. 

  • Joint Venture

    Dec 10| Exhibition
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    Joint Venture is a group exhibition of collaborative projects by artists from ECF’s Inglewood Art Center and students from Otis College's Creative Action class, Uniquely Abled, taught by Michele Jaquis and mentored by Marlena Donohue.

     

    December 8, 2016 - January 6, 2017

    Gallery Hours M - F 11am - 3:30pm

     

  • LA Portfolio Day

    Jan 15| Special Event
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    Otis College of Art and Design is pleased to host the Los Angeles Portfolio Day on January 15, 2017 from 12-4pm!

    Bring your portfolio for an informal review by representatives from art and design schools, and learn about their programs of study. Portfolio Day events are held across the country, high school students, parents, teachers, guidance counselors and college transfer students are encouraged to attend.

  • James Hannaham

    Jan 25| Lectures
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    James Hannaham is the author of the novels Delicious Foods, which won the 2016 PEN/Faulkner Award, and God Says No, a Stonewall Honor Book and a Lambda Literary Award finalist.

  • Tuning the Room

    Jan 28| Exhibition
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    Anna Craycroft: Tuning the Room

    January 28 - April 16, 2017

    Ben Maltz Gallery

O-Tube

Continuing Education Course



Plastics, Pinholes, and Point and Shoots


While modern digital cameras move perpetually, toward “perfecting” the photographic image, more and more photographers and artists are turning to unconventional cameras to explore the aesthetic possibilities that often result from these cheaply made cameras. While digital imaging tools now dominate commercial photography, low end, analog cameras have made a come back because their flaws and peculiarities often lead to unique and more interesting results. In this course students use cameras that are stripped down to their basic elements, to gain a better understanding of the elements of the photographic process. Though slide lecture, demonstration, and hands-on projects students explore use of pinhole cameras, Holga cameras, analog point and shoot cameras, and experimental large scale pinhole photography.

Prerequisite: None

First class materials: TBD


There are no sections for this course for this semester.
Course Details
Course Code: XPHO2320
Meetings: 10
Credit Hours: 1
Lab: $35
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