Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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Continuing Education Course



Large Scale Figure Drawing: Construction and Form Analysis


This drawing course focuses on drawing the oversized or life size human figure, constructing the form and capturing the gesture. This class will be divided into three major drawings with lectures on some anatomy given. Students learn methods of gesturing and measuring, designed to create a convincing structural illusion and transparent beauty of the human figure. The human figure is the most amazing machine ever designed. Gain power in your drawing by learning anatomy. Lectures and demonstrations are given on each major anatomical part of the human figure. Students do direct drawing in three week studies. Students draw with charcoal or Conte pencil. All work is done on 32”x48” paper, or larger. At home studies are encouraged.

Prerequisite: XDWG1014 Life Drawing or equivalent knowledge

First class materials: Pencil Sharpener, Retractable Breakaway Knife, Large Kneaded Eraser, Charcoal Pencils - HB, 2B,
18” x 24” Newsprint , Extra soft vine charcoal, chamois cloth, 4 extra large alligator clips, 48”x 10’ roll of drawing paper

OPTIONAL TEXTS:
COMPLETE GUIDE TO LIFE DRAWING, Gottfried Bammes, Search Press, ISBN-10: 1844486907
ARTISTIC ANATOMY, Dr. Paul Richer, ISBN-10: 0823002977
FIGURE DRAWING: DESIGN AND INVENTION, Michael Hampton, ISBN-10: 0615272819
THE HUMAN FIGURE, David K. Rubins, 1953, Penguin Books, ISBN 0-14-004243-1


There are no sections for this course for this semester.
Course Details
Course Code: XDWG1018
Meetings: 10
Credit Hours: 1
Lab:
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