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Events
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

    Seating is limited.

    Maps & Parking Information

  • Performance : Proust in one hour

    by Véronique Aubouy

    Duration : 60 minutes chrono

    In this performance I try to summarize in 60 minutes In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory.

  • Rear Window

    Kristin Moore
    Thesis Exhibition
    Feb 16th-19th, 2016

    Reception:

    Thursday, Feb 18th, 6-9PM

    Bolsky Gallery
    Otis College of Art and Design
    9045 Lincoln Blvd. 
    Los Angeles, CA 90045 
    310.846.2614


    Gallery Hours: Tues-Fri 10am-5pm, Sat-Sun 12pm-4pm

     

  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

  • Mr. Yang Chen worked in real estate development companies for eight years and in architecture design companies for fourteen years, serving as architect, General Manager, and Executive President. From 2002 to 2007 he was General Manager of China Construction Design International (CCDI) Shanghai and COO of its headquarters in Shenzhen. He played a significant role in CCDI’s transition from a regional company of around 100 employees to a national corporation of over 3000 employees.

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Glued to the Seat presents the work of six artists who use narrative elements to reveal hidden truths and confront deep-rooted stereotypes.Through the guise of history, cultural traditions or personal experience, these provocative artists use authorship to expose oppressive stigmas and question sources.

Artists in the Exhibition

Lili Bernard (’14 Otis MFA Public Practice), Channing Martinez (’13 Otis Fine Arts), Jessica Minckley (’13 Otis MFA Fine Arts), Silvia Juliana Mantilla Ortiz (’13 Otis MFA Public Practice), Hyung min Rhee (’13 Otis MFA Fine Arts), and Susan Slade Sanchez (’13 Otis MFA Public Practice).

On March 2, 1955, fifteen year-old Claudette Colvin was the first person arrested for resisting bus segregation in Montgomery, Alabama; nine months before Rosa Parks. When recently asked why she didn’t get up, Claudette Colvin replied, “I could not move, because history had me glued to the seat. It felt like Sojourner Truth’s hands were pushing me down on one shoulder and Harriet Tubman’s hands were pushing me down on the other." These six artists are glued to their seats in present day America and are finding their power to change the tide.

Lili Bernard “The generational struggle of my family and Afro-Indigenous Caribbean ancestors, coupled with my own personal experiences as a mixed-heritage, Black Cuban immigrant in the United States of America, informs my exploration of the diasporic stain of racism, born of colonialism, and of the unconquerable nature of the human spirit.”

Channing Martinez “I’m interested in using myself as a tool to create conversation, if not contradiction of many of the useless constructions that mainstream media would like us to all fit into…the fact still remains that the African American male body still raises prominent social questions, especially when that body isn’t represented in the typical masculine fashion that it ‘should be’… As a gay man I see it as my duty to raise questions of the community I help to support when I’m faced with homophobia.”

Jessica Minckley works with the idea personal agency - where and how power is activated - and its absence; resulting in hopelessness, futility, immobilization and thus, failure. This investigation insists on representation of, or the implication of, a figure, the image of a live body (always inherently a site for potential violence) as a foundational element, which stems from Minckley's background in observational drawing.

Silvia Juliana Mantilla Ortiz “Talk is cheap, I know it, you know it, we all know it. As a matter of fact it is so cheap it is practically free! And yet, sometimes we pay a steep price when we misspeak... TALK IS CHEAP: Unincorporated Language Laboratories has set out on the mission of researching and experimenting with this magnificently rich and affordable medium. T.I.C. is comprised of various laboratories that, through questions about language and miscommunication, explore issues dealing with hybrid and continuously evolving practices present in the immigrant community.”

Hyung min Rhee “When one's value and interest collide with those of others, a translation is bound to be a failure. Metaphors are read differently, symbols bear different meanings, poetries fall apart and the most tragically, jokes fail. Cultural differences are symptoms, not the causes. My current works focus on failure and humor that is unavoidable in translation.”

Susan Slade Sanchez “At this moment in history, LGBTQ rights are being voted on, debated, over turned, passed and put under a microscope. Many LGBTQ couples have had to hide their relationships with family, neighbors, co-workers and others. I want to give a voice, or better, a face to what a long-term LGBTQ couple looks like in 2013. There has been a lack of role models, especially for LGBTQ youth, a lack of a modern Lucy & Ricky or Mr. & Mrs. Brady in the media and in the world.”

Events

Saturday, June 22, 4–6pm, Free
Opening Reception With performative reading of "Losing What You Didn't Know You Had," by Jessica Minckley.

Saturday, July 13, 2pm, Free
Performance & Reading With MFA candidates Hyung min Rhee and Jessica Minckley.

Saturday, August 24, 12:30pm, Free
Gallery Tour Leb by the curator and artists.

 

Curator

Jeseca Dawson is the Ben Maltz Gallery 2012/14 Curatorial Fellow, and is a recent graduate of the Otis MFA Public Practice program (’12). She is a video performance artist and photographer who explores issues of systemic violence in American culture. Her recent work, Home of the Braver, questions the blind patriotism of our time, focusing specifically on classism, patriarchy and xenophobia

 

Image here;;;;

Jessica Minckley, photograph to accompany reading of the text Losing What You Didn't Know You Had

 

image here:

Lili Bernard, The Sale of Venus, 2011, Oil on canvas, 72”x96”

 

June 22
-
August 28
Exhibition
Glued to the Seat: Revealing Hidden Realities
Open to the Public
Free Icon
Sponsored by
Ben Maltz Gallery
June 22 -
August 28
2013-06-22 10:00 2013-08-28 19:00
Exhibition
Glued to the Seat: Revealing Hidden Realities
Open to the Public
Free Icon