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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

O-Tube

Curricular Connections: Food - Water - Life / Lucy + Jorge Orta Exhibition

Food - Water - Life / Lucy + Jorge Orta

August 16 – December 6, 2014

OrtaWater Fluvial Intervention Unit, 2005

Artists: Lucy + Jorge Orta

Organized by the Tufts University Art Gallery, Medford, MA; curated by Ginger Gregg Duggan and Judith Hoos Fox (c2|curatorsquared)

Ben Maltz Gallery is the only West Coast venue of this U.S. premiere of the Orta’s work. Lucy + Jorge Orta are on campus October 20-25 for a week-long residency working with Otis students and giving lectures. The residency week culminates with a public conversation between the artists and the curators, followed by a reception, on Saturday, October 25, 3pm-6pm.

The sculptures, drawings, installations and video by this Paris-based wife and husband duo Lucy + Jorge Orta collectively explore major concerns that define the 21st century: biodiversity, environmental conditions, climate change and exchange among peoples. As heirs to the practice of social sculpture, formulated by Joseph Beuys in the 1960s, the Ortas’ works are relics of their own function—beguiling assemblages that are the platform for the preparation of food, mechanisms that actually purify water, and elements created for a 2007 expedition to Antarctica that are part of an effort to amend the 1948 Universal Declaration of Human Rights. The works in this exhibition are metaphors-in-action, constructions that perform the tasks of which they are emblematic.

These humorous, jerrybuilt contraptions are obviously not the most efficient means to purify, prepare and transport food and water, or to launch a world-wide humanitarian effort, but in their ability to actually function, albeit, awkwardly and haltingly, they gain power as works of art created to move us to awareness and action. The artists have created a unique visual language through which they tackle the major global issues affecting our lives and the precarious position of this planet. As the Orta’s artwork communicates widely to audiences beyond the field of contemporary art, it demonstrates the importance of art as a creative agent for awareness and change: their work embodies the philosophy that steers their pioneering art practice, “the ethics of aesthetics.”

Working in partnership since 2005, Lucy + Jorge Orta create, produce, and assemble their artworks and large installations together with a team of artists, designers, architects, and craftspeople. They stage on-location workshops, ephemeral interventions, residencies, and master classes, which explore the crucial themes of the contemporary world: the community, autonomy, dwelling, migration, sustainable development, and recycling. Their work has been the focus of important survey exhibitions in major museums, including: the Barbican Art Gallery, London; Modern Art Museum, Paris; Museum of Contemporary Art, Sydney; Museum Boijmans Van Beuningen, Rotterdam; Hangar Bicocca, Milan; as well as the Venice, Havana, and Johannesburg Biennales.


The Artists

Studio Orta
Biography
List of Exhibitions
Bibliography

The Curators

http://www.curatorsquared.com/lucyjorge-orta-collaboration/

Exhibition Info

Press Release
Exhibition Checklist

Exhibition Didactics

Introduction Wall Text
Food, Life, and Water Wall Texts
Wall Quotes

Exhibition Catalogue

Essays
Food Service: Setting the Table | Ellen Lupton
Life Science: OrtaWater | Zoe Ryan
Subject = Object: Antarctic Village - No Borders | Judith Hoos Fox and Ginger Gregg Duggan
Full Catalogue
Food-Water-Life / Lucy + Jorge Orta |  | 61 pages | Princeton Architectural Press

Further Reading

Otis Library
Food-Water-Life | https://opac.otis.edu/lib/item?id=chamo:285388&theme=otis
Lucy Orta | https://opac.otis.edu/lib/item?id=chamo:50869&theme=otis
Studio Orta - some of the books viewable in full as pdfs
http://www.studio-orta.com/en/books

Web

http://worldofideas.at/?p=580
http://blog.art21.org/2012/10/19/gastro-vision-lucy-jorge-orta-food-water-life/#.UqZMxz-RQ25
http://orta.blogs.wesleyan.edu/
http://www.museum.cornell.edu/exhibitions/view/food-water-life-lucy-jorge-orta.html


Videos


Fabulae Romanae, Lucy + Jorge Orta, 2012



Amazonia, Lucy + Jorge Orta, 2010



Lucy Orta, short filmportrait



TED talk by Lucy Orta



L'art et la manière / Lucy + Jorge Orta
In French, but gives tour inside the working of the Orta Studio