Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

O-Tube

Anna Craycroft: Tuning the Room

January 28 – April 16, 2017

In acoustical engineering, “tuning the room” is a technique for measuring the specific sound properties of an enclosed space and then adapting the environment to improve its acoustic reflections. New York-based artist Anna Craycroft applies this technique 

both literally and metaphorically to the Ben Maltz Gallery for her exhibition Tuning the Room. Craycroft’s exhibition asks that we consider how the specific characteristics of an environment shape our experience within it, and how we become attuned in return. It invites us to ask questions about our reciprocal relationships beyond the exhibition. How do we tune our communities, our institutions, our countries, and how do they tune us in return?
 

The measure and alterations of Craycroft’s “room tuning” are framed in relation to its setting within the art gallery of an art school. In the wake of the U.S. presidential election, and in anticipation of the exhibition runtime falling during the first months of the new administration, Tuning the Room is a proposal to pay attention to the role that art and art education play in how voices are heard.

Craycroft’s site-specific installation fills the 3,500 square foot space of Ben Maltz Gallery, dividing it into two discrete spaces with contrasting perceptual effects. In one half of the gallery sound and light are absorbed by hand-dyed fabric acoustical panels and soft sculpture. In the other half sound and light are reflected by a chrome vinyl mural and aluminum seating. The absorptive side allows for voices to be heard clearly, and invites gatherings and discussion. The reflective side incites reverberation, motion, and outwardness. Tuning the Room is presented as an experimental tool for engaging with ideas of behavior, voice, reception, tuning, and the transfer of knowledge and energy.

Over the course of the exhibition, a variety of programs will take place inside the exhibition space that respond to this adapted environment. The events engage the teachers and students of Otis College and are open to the public at large. A working calendar — occupying the title wall of the exhibition entrance as well as online — will act as a visible tool to the Otis College and LA community, describing the activities occurring in the space.

Anna Craycroft lives and works in New York City. Mining fields like education, cinema, psychology, literature and art history in her practice, she examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions. Her current exhibition Tuning the Room follows other investigations by Craycroft into the correspondences between art and education. See more information on these related exhibitions at: http://annacraycroft.com/project/soloo/, http://pica.org/event/cmon/, http://annacraycroft.com/project/drawn-to-repeating-patterns/.


Craycroft has had solo shows at Portland Institute for Contemporary Art in Portland Oregon, the Blanton Museum of Art in Austin Texas, Tracy Williams Ltd in NYC, Le Case del Arte in Milan Italy, and a two-persons exhibition at Redcat Gallery in Los Angeles, Sandroni Rey in Los Angeles and the Fundacio Miro in Barcelona. In November 2016, the artist debuted a major new commission, The Earth Is a Magnet, as part of the ICA Boston exhibition, The Artist’s Museum. Notable group exhibitions include Champs Elysees at Palais de Tokyo Paris, France, and PS1’s Greater New York 2005. She has also received commissions for public sculpture from Art in General, Socrates Sculpture Park NYC, Lower Manhattan Cultural Center NYC, and from Den Haag Sculptuur, the Hague Netherlands. Artist's website: http://annacraycroft.com

TUNING THE ROOM CALENDAR OF EVENTS


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