Events
  • Otis Radio: Our Story`

    May 01| Special Event
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    Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Our Story. Join DJ Wormlord (Maggie Gilbert), DJ Ace (Grace Kanchana), and DJ Mango (Stacy Li) as we have real talk in real time. Don't miss out!

     

    Listen online at KLMU.

    All shows will be simulcast on 96.1FM in the Otis Commons and archived on otisradio.tumblr.com

  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 5:00 - 6:00 pm is The Girls Room with DJ Lonesome (Jaclyn Arellano), DJ Filth (Mady Preece), DJ Duchamp’s Urinal (Carly Goldstein). In this political climate, it is finally time to take charge of our own bodies and image. No more housewife norms to determine what a woman should look like. Join us in conversation with the tools of music and noise to express what it means to be a woman. We will challenge the definitions and misconceptions about masculinity and femininity, creating a space where women can feel free to ask questions and get answers from other women.

    Listen: http://edg-ord-kxlu.streamguys1.com/klmu

  • Zeal Harris is known for contemporary, seductive, colorful, caricaturesque, political, urban-vernacular, story paintings. She is a Los Angeles based visual artist and has been in exhibitions in Port Au Prince at Haiti’s Ghetto Biennale; in New York at the Caribbean Culture Center of the African Diaspora; in Arizona at The Mesa Contemporary Arts Museum; and in Los Angeles at the California African-American Museum, The Makeshift Museum, 18th Street Arts Center, Launch LA, and EXSLA at The Brewery.  Zeal has an MFA in Studio Art from Otis College of Art & Design. She occasionally teaches, works on public art projects, and works with community arts organizations.

  • Jocelyn Casas presents a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view May 1st - 7th, 2017. There will be a closing reception on Thursday, May 4, 6-9pm.

  • Each year, the Benefit black-tie gala features Los Angeles' largest fashion runway show with more than 70 professional models in 125-plus fashion designs for women, men, and juniors. Approximately 800 guests— a creative crowd of leaders in fashion and entertainment— get a glimpse of the future of fashion design from those who invent it, Otis College fashion students.

  • Patterns Bigger Than Any of Us
    Jesse Fleming / Pat O
    'Neill

    A two-person exhibition of recent large-scale video installations from Los Angeles-based artists Jesse Fleming and Pat O’Neill. Each artist raises questions in his work about the self in relation to others, collective norms, and the built environment. They direct us to see the links and fissures in our lives and the larger systems that we attempt to grapple with—from science to spirituality, and the spaces they straddle.

  • Patterns Bigger Than Any of Us

    Jesse Fleming / Pat O'Neill

    A two-person exhibition of recent large-scale video installations from Los Angeles-based artists Jesse Fleming and Pat O’Neill. Each artist raises questions in his work about the self in relation to others, collective norms, and the built environment. They direct us to see the links and fissures in our lives and the larger systems that we attempt to grapple with—from science to spirituality, and the spaces they straddle.

    Opening Reception Sunday, May 7 | 4-6pm | Free
     

O-Tube

Alison Saar: STILL . . .

August 18 – November 17, 2012

Informed by artistic traditions from the Americas to Africa and beyond, and by her mixed racial upbringing, Alison Saar (’81 MFA) fuses her paradoxical responses to the black-and-white delineations of political and social forces into a powerful, visual, a 
Curator: Meg Linton

Informed by artistic traditions from the Americas to Africa and beyond, and by her mixed racial upbringing, Alison Saar (’81 MFA) fuses her paradoxical responses to the black-and-white delineations of political and social forces into a powerful, visual, and kinesthetic tension. She uses the history and associations of her materials, everyday experience, African art and ritual, Greek mythology, and the stark sculptural tradition of German Expressionism to infuse her work with a primal intensity that challenges cultural and historic references and stereotypes. STILL . . . gathers together for the first time four never-exhibited works made during a residency at Pilchuck Glass School in Seattle with six new bronze and mixed-media sculptures.

Saar is a mature and significant sculptor who has achieved broad recognition for her studio and public art throughout the country. Her work is held in many collections including the Museum of Modern Art, Hirshhorn Museum and Sculpture Garden, and Metropolitan Museum of Art; and she has major public art works in Los Angeles, New York, and Chicago. She has received numerous prestigious awards from the Guggenheim Foundation, Anonymous Was a Woman, and the National Endowment for the Arts. She forcefully investigates elements of marginalization and discrimination in society to present poetic responses through a process of self-scrutiny and introspection as to how these historical burdens can be transformed, and how symbolic atonement, and even some measure of redemption, can be imagined. Her work mirrors an entirely American process of spiritual and political bifurcation, and the evolution of historical recovery. As Lowry Stokes Sims, Curator at the Museum of Arts and Design, writes in her essay for Feallan and Fallow, “Alison Saar’s library of references is as varied and rich as her own heritage. Her special gift lies in her ability to translate the personal and the culturally specific in such a way that it embodies concerns that not only transcend race but also gender.”

The catalog, Alison Saar: STILL . . . (October, 2012), features an introduction by Meg Linton, Curator of the Exhibition and OTIS Director of Galleries and Exhibitions; an essay by Dr. Barbara Thompson and Phyllis Wattis, Curator of the Arts of Africa and the Americas at the Cantor Art Center, Stanford University, and full-color reproductions of the work and installation.

This exhibition is funded in part by Contemporary Collectors — Orange County. Special thanks go to Decker Studios, L.A. Louver, John David O’Brien, and Otis Continuing Education and Alumni Relations.

- See more at: http://www.otis.edu/ben-maltz-gallery/past-exhibitions-2012#sthash.Z6Icr...

Related Events
Saturday, September 15, 4–6pm, Free

Public Reception Meet Alison Saar and enjoy live music by Sunny War, a singer/songwriter from Nashville, Tennessee who plays punk inspired blues.

Saturday, September 22, 10am–4pm, $25
Otis Alumni Gallery & Studio Tour Otis Alumna Alison Saar tours her exhibition STILL . . . in the Ben Maltz Gallery followed by lunch and a bus tour to local Otis alumni studios and galleries.

Sunday, November 4, 2pm, Free, Reservation Required
Conversation Alison Saar in conversation with Sarah Lewis about art, race, and gender.

Saturday, November 17, 3–5pm, Free
Poetry Reading and closing reception Author Harryette Mullen reads her poetry at a closing reception for the exhibition

Harryette Mullen is the author of several poetry collections, including Recyclopedia: Trimmings, S*PeRM**K*T, and Muse & Drudge, winner of a PEN Beyond Margins Award, and Sleeping with the Dictionary, a finalist for a National Book Award, National Book Critics Circle Award, and Los Angeles Times Book Prize. Her poems have been translated into Spanish, Portuguese, French, Italian, Polish, German, Swedish, Danish, Turkish, and Bulgarian. She teaches American poetry, African American literature, and creative writing at UCLA. A collection of her essays and interviews, The Cracks Between What We Are and What We Are Supposed to Be, is due from University of Alabama Press in 2012. Her Tanka Diary is forthcoming from Graywolf Press in 2013.

- See more at: http://www.otis.edu/ben-maltz-gallery/past-exhibitions-2012#sthash.5Wkrc...


Alison Saar: STILL . . .
Alison Saar STILL . . . tour

The Ben Maltz Gallery continues its focus of presenting and documenting new work by artists in the region with the solo exhibition, STILL. . . by Otis alumna Alison Saar (MFA 1981). Being informed by artistic traditions from the Americas to Africa and beyond and from a mixed racial upbringing, Saar fuses her paradoxical responses to the black and white delineations of political and social forces into a powerful visual and kinesthetic tension. She uses the history and associations of her materials, everyday experience, African art and ritual, Greek mythology, and the stark sculptural tradition of German Expressionism to infuse the work with a primal intensity that challenges cultural and historic references and stereotypes. STILL. . . gathers together for the first time four never-exhibited works made during a residency at Pilchuck Glass School in Seattle with six new bronze and mixed-media sculptures.

Saar forcefully investigates elements of marginalization and discrimination in society to present poetic responses through a process of self-scrutiny and introspection as to how these historical burdens can be transformed and how symbolic atonement and even some measure of redemption can be imagined. Her work is especially relevant for this moment as it mirrors an entirely American process of spiritual and political bifurcation and the evolution of historical recovery. As Lowry Stokes Sims, Curator at the Museum of Arts and Design, writes in her essay for Feallan and Fallow, “Alison Saar’s library of references is as varied and rich as her own heritage. Her special gift lies in her ability to translate the personal and the culturally specific in such a way that it embodies concerns that not only transcend race but also gender.”

Saar is a mature and significant artist; a sculptor who has already achieved broad recognition for her studio and public art throughout the country. Her work is held in many collections including the Museum of Modern Art, Hirshhorn Museum and Sculpture Garden, and Metropolitan Museum of Art; and she has major public art works in Los Angeles, New York, and Chicago. She has also received numerous prestigious awards including a Guggenheim Fellowship, Anonymous Was a Woman, and National Endowment for the Arts.

The forthcoming catalog, Alison Saar: STILL. . . (October, 2012), features an introduction by Meg Linton, Curator of the Exhibition; an essay by Dr. Barbara Thompson, Phyllis Wattis Curator of the Arts of Africa and the Americas at the Cantor Art Center, Stanford University; and poetry by Harryette Mullen; and full color reproductions of the work and installation.

Further reading

Family Legacies: The Art of Betye, Lezley, and Alison Saar, by Jessica Dallow and Barbara C. Matilsky. Otis Library Catalog Listing.

Body Politics: The Female Image in Luba Art and the Sculpture of Alison Saar, by Mary Nooter Roberts and Alison Saar. Otis Library Catalog Listing.

“Alison Saar: Exalting Ambiguity,” by John O'Brien. Sculpture, January/February 2007, Vol. 26 Issue 1, p.28-31. Download PDF. (1mb, login required)

“The Art of Relationships,” by Eleanor Heatney. Art in America, October 2006, Vol. 94 Issue 9, p170-211. Download PDF. (4mb, login required)

“Reclaiming Histories: Betye and Alison Saar,” by Jessica Dallow,. Feminist Studies, Spring 2004, Vol. 30 Issue 1, p74-113. Download PDF. (5mb, login required)

“Interview Alison Saar” by Ronica Sanders Smucker, Art Papers, July/August 1994, p. 16-19. Download PDF. (3mb, login required)

Select Articles from artist's bibliography. Download PDF. (20mb, login required)

Select Projects

2011 Feallan and Fallow, Madison Square Park
http://www.madisonsquarepark.org/things-to-do/calendar/alison-saar-feallan-and-fallow

2011 Bound for Glory, Lewis & Clark
http://www.lclark.edu/live/news/7042-alison-saar-bound-for-glory

2007 Harriet Tubman, New York City
http://www.nycgovparks.org/art-and-antiquities/permanent-art-and-monuments/info?monId=1998

Press Coverage

Art Talk Radio Show, KCRW, by Edward Goldman, Aug 28, 2012
http://www.kcrw.com/etc/programs/at/at120828the_painful_beauty_ot (Archived audio and text of show)

Alison Saar: STILL... (2012)

Alison Saar: STILL...

Alison Saar: STILL... (2012) / $20 / Available on Amazon.com and in Gallery
Softcover / 46 pages / 35 color plates / 7 X 10 inches
ISBN 978-0-930209-33-9
Produced by: OTIS Ben Maltz Gallery
Exhibition curator: Meg Linton
Exhibition dates: August 18 - November 17, 2012
Introduction by: Meg Linton; Essay by: Dr. Barbara Thompson; Poems by: Harryette Mullen
Description: Solo exhibition of recent work by Alison Saar including four never-exhibited works made during a residency at Pilchuck Glass School in Seattle and six new bronze and mixed-media sculptures.