Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

O-Tube

About the Gallery

Opening reception Phyllis Green

The Ben Maltz Gallery supports the artistic/cultural production of creative professionals and connects their work to the Otis community and the public at large through exhibitions, presentations, and publications. The Gallery—equal parts public forum, classroom, and laboratory—is an active academic partner on and off campus. Its expansive curatorial initiatives provide direct experience with artists/designers/curators/scholars and their work within an environment that fosters conversation, curiosity, visual literacy, critical thinking, individuality, collaboration, and social responsibility. Engaging in a wide range of contemporary art and ideas, the Gallery highlights work that pushes the frontiers of traditional form and subject matter while providing a contextual framework for interpretation, reflection, and understanding. Open free to the public year round, the Gallery serves Los Angeles’ vibrant art community and the City's diverse population, while acting as an important educational resource for students, faculty, and staff. It also reaches beyond the region by both originating and participating in national and international touring exhibitions and programs.

Learning Outcomes

Attentive visitors from the student body, campus community, and general public will be able to:

  • Attend, experience, and identify the work of emerging and established creative practitioners first hand and be exposed to the visual language of contemporary cultural production from the region and beyond.
  • Distinguish a range of genres, media, and creative practices from the traditional to the contemporary including sculpture, painting, printmaking, installation, time-based media, and emerging practices. 
  • Identify and articulate the primary themes, concerns and/or context (aesthetic, social, political or historical) of an exhibition after viewing it.
  • Engage with public programming and creative actions like lectures, symposia, workshops, and performances led by artists, designers, curators, writers, scholars and other creative practitioners.

Gallery History

The Otis Gallery was the vision of artist Millard Sheets and opened in 1957 at the MacArthur Park campus in downtown Los Angeles. When the College moved to Westchester in 1997, the Gallery was temporarily housed on the ground floor of the Ahmanson Building until the Bronya and Andy Galef Fine Arts Center was completed in 2001. Los Angeles Architect Frederick Fisher designed a stunning 3,200 square foot exhibition space and it was christened the Ben Maltz Gallery.

Gallery Name

The Gallery is named in honor of Benjamin N. Maltz, father of Elaine Goldsmith (namesake of the Otis main campus), and prominent philanthropist. Maltz was a broker and founding Director and former Chairman of City National Bank in Beverly Hills. Ben Maltz had a strong belief in giving back to the community and he was a generous benefactor of many local and national charities. He passed this philosophy on to his children, one of whom is Elaine Goldsmith, a longtime member of the Otis Board of Trustees, and one of the College's major supporters.

Artist Submissions
For artist submissions, please see our Artist Submission Guidelines document (PDF).
 

Staff

Kate McNamara
Director of Galleries and Exhibitions       
310.665.6907
kmcnamara@otis.edu

Kathy MacPherson
Gallery Manager
310.66.6909
kmacpherson@otis.edu

 

Jinger Heffner
Assistant Director
310.665.6906
jheffner@otis.edu

Paulina Samborska
Curatorial Programming Coordinator
310.846.2579
psamborska@otis.edu
 

 

 

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