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Events
  • Learn about the Teacher Credentialing process with:

  • Communication Arts presents a lecture by type designer Raul Plancarte

  • Allison Peck 

     

    Tied Tides and Small Shifts 

     

    Opening: Thursday, April 17 from 7-10p
    Onview: April 14-19 from 10-6p
    Location: Bolsky Gallery, Otis College of Art and Design, 9045 Lincoln Blvd, Los Angeles, CA 90045
    allison.josephine@gmail.com.

  • Join us for the ultimate genre mash up as we drop the best hip hop and underground hiphop from all over as well as some of the freshest hard hitting electronic music out today. Presented by DJ Chewby (Pamela Torzan), DJ Snowden (Ryan Snowden) Daybid 1X (David Namkoong), and 90’s Kid (Danial Siddiqui) of the Otis Radio class.

     

  • Come enjoy the awesomeness of Soundtracks from Games, Movies and TV Shows with DJ Tea Time (Joshua Timmons), DJ SurgeMiester (Sergio Betancourt ) and DJ ForGrapeJelly (Steven Escarcega).

     

  • Fine Arts presents a lecture by painter Mary Weatherford. She received her BA from Princeton and MFA from Bard. Weatherford has shown at David Kordansky Gallery in L.A., LAxART in L.A., Brennan & Griffin in New York, and Debs & Co in New York.  In addition, her work is included in collections of MoMA, LACMA, Hammer Museum, Museum of Contemporary Art in San Diego, and OCMA.
    All are welcome
    Series organized by Photography Director Soo Kim
  • “Foregrounds” is a show exploring how we listen to sounds. It utilizes field recordings by blending songs and spoken word pieces with the soundscapes in which we listen to them – whether it be played along with Los Angeles traffic, the sound of a meal being prepared, or waves at the beach. Presented by DJ Derek (Corn), DJ Nasera (Alayon), DJ Max (Miles) of the Otis Radio class.

     

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Ben Maltz Gallery


Freeway Studies #2: Inside the Quad

April 12 – July 27, 2014  |  Opening Reception Saturday April 12, 4-6pm
Press Release  |  Full Schedule of Exhibition Events
 
Freeway Studies is a multi-year, contemporary art-focused curatorial project organized by Meg Linton, Director of Galleries and Exhibitions, with the assistance of Jeseca Dawson, 2012-2014 Curatorial Fellow, at the Ben Maltz Gallery at Otis College of Art and Design.

Freeway Studies #2: Inside the Quad features the work of 31 contemporary artists whose studios are located within the borders of the I-405, 110, 10, and 105 freeways in Los Angeles.  Over a six-month period Linton and Dawson visited nearly 100 artists working (and often living) in the designated area and each visit is documented on the project blog: http://blogs.otis.edu/freewaystudies/inside-the-quad/. They continue to update the blog as they visit more artists in the planning of subsequent Freeway Studies exhibitions focusing on other neighborhoods.

Artists: Anna Ayeroff  (‘10 Fine Arts), *Juan Capistran (‘99 Fine Arts), Miri Chais, Brian Chambers, Renée A. Fox (‘02 Fine Arts), Eben Goff, Todd Gray, Nancy Jo Haselbacher, Kathryn Jacobi, Annetta Kapon, *Farrah Karapetian, Soo Kim, Kohl King, Noel Korten, Mara De Luca, Hazel Mandujano ('10 Graduate Graphic Design) Michael Masenburg, Marina Moevs, Warren Neidich, Numa Perrier, Pam Posey, Mei Xian Qiu, Christina Sanchez (‘12 Graduate Public Practice) and Cayetano Juarez, Kyungmi Shin, Christopher Kent Schumaker, Luis Serrano (‘81 Graduate Fine Arts), Lisa C. Soto, Christopher Warner, Dana Weiser, and *Joe Wolek.

*Inside the Quad Billboard Project 2014
Freeway Studies #2 has commissioned three Inside the Quad artists to create billboards that are located near Otis: Juan Capistrán and Hazel Mandujano, Farrah Karapetian, and Joe Wolek. Billboard Project Artists sponsored by Summit Media LLC. Location map below.

Capistran and Mandujano

Juan Capistrán and Hazel Mandujano, ...my hobby is throwing stones (foolishness can move mountains), 2014
Artist Juan Capistrán and Graphic Designer Hazel Mandujano originally designed this image collaboratively as a takeaway for the exhibition What We Want, What We Believe: Towards A Higher Fidelity at University of Texas at Austin, 2014. A stack of 1,000 sheets of paper printed with a photograph of rock texture were installed on a customized platform, referencing the print installations of artist Felix Gonzales Torres. When crumpled up, the sheets transformed into "rocks." This physical rock then became a visual reference to a photograph of one of the rocks being held up, blocking a view of the former location of the Black Panther Party headquarters in Los Angeles. The viewer would experience the object they were holding as at once in their possession and on exhibit as the focus of the photograph.
                                            
Karapetian


Farrah Karapetian, Prone Position, 2013
Farrah Karapetian created the photogram, Prone Position, from a reenactment of the memory of a veteran, allowing the subject to be a part of the process of depicting his own experience of warfare. Karapetian explains, "In essence the process of reenactment in the darkroom makes present for all of the players a sense of who they have been, who they can be, who they want to be, and who they are. When I install these prints in response to architecture – a veteran lying prone on a billboard to take aim, for example – the imagery begins to make meaning in real space – the space we share with the men depicted and their memories.”
 

Wolek

Joe Wolek, Stadium Seats, 2012
In these pictures I honor specific landscape and documentary traditions by placing content front and center. What existed physically in the scene is why I made the photograph. What is referenced in the real world is that which I want the viewer to witness for interpretation.  They investigate a certain underbelly of society, alluding to the fall of the brief reign of middle class culture celebrated in America and attempt to expose myths of its nostalgically cherished integrity. I point my camera at boring sites, potentially called non- locations due to their strikingly commonplace, banal and sometimes clichéd environs that initially seem not worthy of investigation. However, rather than a single exposure for a straightforward representation of the site, I use multiple frames made from telephoto lenses that are merged together creating one singular picture that forms a panoramic vista but with a compressed and tightly cropped space. They seem natural but the field of view could not be made with conventional camera techniques thus playing disturbingly with notions of peripheral vision and depth perception…(Text taken from, “On the Beaten Track: Stratigraphy of the Vernacular” by Joe Wolek)

Billboard Locations
Map is clickable and interactive. Click on link below to view in full size Google Maps page.


View Billboard Locations "Inside the Quad" in a larger map