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  • Otis Fine Arts hosts a Visiting Artist lecture series featuring John Houck, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Jesse Benson (b. 1978) is an artist based in Los Angeles. Benson's complex practice is driven by the perversion of roles and representation that characterize his generational moment. In obsessively "skillful" objects like the Bureau Paintings, Catalog Page Paintings, Future Sculptures, and Repaintings, Benson constantly questions the authenticity of the document, the function of style, and the value of both art and artist. Benson is equally committed to a curatorial/organizational practice that openly overlaps and inspires his object production.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by Nick SeierupPrincipal | Design Director of Perkins+Will, Los Angeles, on Thursday, December 3, 2015.


  • Marisa Silver is the author most recently of the New York Times bestselling novel Mary Coin. Her other books include the novels No Direction Home and The God of War (a finalist for a Los Angeles Times Book Prize), as well as two story collections, Babe in Paradise and Alone with You. Her work has appeared in The New Yorker and been included in many anthologies, including The Best American Short Stories and The O. Henry Prize Stories. Silver lives in Los Angeles.

  • Jesse Lerner is a filmmaker based in Los Angeles.  His short films Natives (1991, with Scott Sterling), T.S.H. (2004) and Magnavoz (2006) and the feature-length experimental documentaries Frontierland/Fronterilandia (1995, with Rubén Ortiz-Torres), Ruins (1999) The American Egypt (2001), Atomic Sublime (2010) and The Absent Stone (2013, with Sandra Rozental) have won numerous prizes at film festivals in the United States, Latin America and Japan.

  • Otis faculty member Dana Berman Duff will present a program of short 16mm and digital films in her "Catalogue" series.

  • Performing the Grid is an exhibition that brings together an intergenerational group of artists and cultural producers that utilize the grid as a performative strategy to examine, challenge and position philosophical, political, social, domestic, corporeal, and mythical perspectives. Rosalind Kraus famously wrote that the grid “functions to declare the modernity of modern art” in her 1979 essay, Grids.


Barbara Maloutas: 2012-13 Faculty Development Grant Report

AWP Conference & Bookfair, March 6-9, 2013

Faculty development grant to support expenses while attending the annual Association of Writers & Writing Programs (AWP) Conference & Bookfair from March 6-9 in Boston.


Over 11,000 writers, editors, and publishers turned out this year for the Association of Writers and Writing Programs' Conference, making it one of the biggest literary hootenannies for anyone with a passion for putting words on the page.

There are over 500 sessions devoted to topics of interest to both writers and teachers of writing, ranging from esoteric discussions of character development to the thorny business of publishing your first novel.

It took two of us an hour to figure out what panels were worth attending on a specific day. There were two documents to go back and forth between ... It was first thing on Thursday that we realized what was at issue when we didn’t plan ahead and get to a panel early. There were 100 people outside the small room for the panel – Modern Fairy Tales & Retellings. I ended up down the hall in Looking for Real-Life Humberts: The Unreliable Narrator in Creative Nonfiction. It turned out to be an excellent choice.

--Barbara Maloutas
Assistant Chair, Communication Arts

Read Full Report [PDF], which is based on a blog post by Holly Robinson