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  • Rodney McMillian (born in Columbia, South Carolina) is an artist based in Los Angeles.
  • Michael Joyce

    Sep 17| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Twentieth-Century Man by Michael Joyce. Starting with a disappearance, Twentieth-Century Man contemplates issues imbedded in aging, memory, language, family, and even life and death, covering and uncovering many profound mysteries.

  • Alice Konitz

    Sep 18| Lectures
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    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Alice Konitz.

    Thursday, September 18th 11:115am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

    Image from alicekonitz.com

     

  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

O-Tube

Daniel Phillips and Kim Karlsrud, Common Studio

Dec 16, 2013
Guerilla Gardening
Spotlight Category: Alumni

Daniel Phillips (’08 Architecture/Landscape/Interiors) and Kim Karlsrud (’07 Product Design)
 of COMMONstudio


Daniel and Kim created Greenaid, a Los Angeles-based social enterprise that makes guerilla gardening efforts easier and more accessible to the general public.  Seedbombs are the weapon of choice -  small nuggets of clay, compost, and native seeds that are thrown (and grown) in otherwise neglected corners of the urban landscape.  The Greenaid vending machine offers the public instant and affordable access to seedbombs at over 100 locations (and counting) worldwide, and Greenaid seedbombs are hand-rolled in Culver City using local materials, sustainable packaging, and socially responsible labor.  Working in partnership with Chrysalis, a local non-profit, Greenaid offers employment opportunities and a living wage to formerly homeless or economically disadvantaged men and women.


It happened organically and a little accidentally – it didn’t start off as a entrepreneurial ambition, but a means of realizing a design idea in the face of a recession. After experiencing the frustration and lack of opportunities within our fields we tried to stay proactive and engaged through collaborating (together and otherwise) on projects we found interesting. We’ve found that when you start with local issues and needs, rather than clients, the projects are way more relevant, meaningful, impact-oriented and fun. Sure the economy is bad right now, but that means there’s huge opportunities for new types of creative and responsible industries to emerge – and if you’re willing to take a risk for something you believe in, there’s always a way to make it happen.

What we soon realized was that it’s relatively easy to do one copy of something, and it’s a whole new ball game when you suddenly have to think about doing more.  Our breakthrough moment was when we were introduced to the crowd-funding website Kickstarter.com. We raised $10,000 through Kickstarter which enabled us to establish an initial presence in L.A. To date, we’ve over 100 Greenaid dispensers across the U.S. Mexico, Canada, and Europe.  We estimate that we’ve distributed about 75 million native seeds into the world using seedbombs.

Otis provided a curriculum that was rigorous without being too rigid.  It was flexible enough and small enough to nurture the passions and unique approaches of the individual.  There was a lot of room to find your own way.  No school can completely prepare you for what everyone faces after graduation, but it was at Otis that we learned to combine our creative instincts with the ability to act upon them in strategic ways, and that’s made the difference for us.

 

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