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  • Angie Kim

    MFA Exhibition: SAME

    Reception Thursday, Feb 6th, 6-9 pm

  • Amy Adler

    Feb 03| Lectures
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    Amy Adler graduated from Cooper Union and received an MFA in Visual Art from UCLA and an MFA in Cinematic Arts from USC. She has had one person shows at the Museum of Contemporary Art Los Angeles, the Museum of Contemporary Art San Diego and The Aspen Art Museum as well as galleries worldwide. 
     
  • same / mfa THESIS EXHIBITION 



    Angie Kim

    Exhibition, February 2 - 8, 2015 

    Reception, February 5, 6:00 - 9:00pm
 

    
Map of Location

     
  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • Alex Israel

    Feb 10| Lectures
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    The work of Alex Israel is deeply entwined with his hometown of Los Angeles. The artist creates art that riffs on Hollywood culture and the cult of celebrity. His first major body of work consisted of rented studio props, transformed into readymades by their placement in the gallery—some blatantly obvious in their artificiality. He gave celebrities the same treatment in the video series “As It Lays”, video portraits based on campy TV talk shows.
  • Menno Cruijsen, Lava Design
    February 12, 12:30-1:30, Ahmanson 6th floor

    Lava was founded in 1990 by creative director Hans Wolbers (the Netherlands, 1965). The current team consists of 10 talented designers and three projectmanagers. The agency is focused on creative strategy, editorial design and dynamic identities.

    http://www.lava.nl

  • MAKING SENSE / Thesis Exhibition 



    Exhibition, February 16 - 21, 2015 

    Reception, February  19, 6:00 - 9:00pm
 

    
Map of Location

     

    

Website: www.rachelwolfe.com | Blog: howlya.tumblr.com

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Daniel Phillips and Kim Karlsrud, Common Studio

Dec 16, 2013
Guerilla Gardening
Spotlight Category: Alumni

Daniel Phillips (’08 Architecture/Landscape/Interiors) and Kim Karlsrud (’07 Product Design)
 of COMMONstudio


Daniel and Kim created Greenaid, a Los Angeles-based social enterprise that makes guerilla gardening efforts easier and more accessible to the general public.  Seedbombs are the weapon of choice -  small nuggets of clay, compost, and native seeds that are thrown (and grown) in otherwise neglected corners of the urban landscape.  The Greenaid vending machine offers the public instant and affordable access to seedbombs at over 100 locations (and counting) worldwide, and Greenaid seedbombs are hand-rolled in Culver City using local materials, sustainable packaging, and socially responsible labor.  Working in partnership with Chrysalis, a local non-profit, Greenaid offers employment opportunities and a living wage to formerly homeless or economically disadvantaged men and women.


It happened organically and a little accidentally – it didn’t start off as a entrepreneurial ambition, but a means of realizing a design idea in the face of a recession. After experiencing the frustration and lack of opportunities within our fields we tried to stay proactive and engaged through collaborating (together and otherwise) on projects we found interesting. We’ve found that when you start with local issues and needs, rather than clients, the projects are way more relevant, meaningful, impact-oriented and fun. Sure the economy is bad right now, but that means there’s huge opportunities for new types of creative and responsible industries to emerge – and if you’re willing to take a risk for something you believe in, there’s always a way to make it happen.

What we soon realized was that it’s relatively easy to do one copy of something, and it’s a whole new ball game when you suddenly have to think about doing more.  Our breakthrough moment was when we were introduced to the crowd-funding website Kickstarter.com. We raised $10,000 through Kickstarter which enabled us to establish an initial presence in L.A. To date, we’ve over 100 Greenaid dispensers across the U.S. Mexico, Canada, and Europe.  We estimate that we’ve distributed about 75 million native seeds into the world using seedbombs.

Otis provided a curriculum that was rigorous without being too rigid.  It was flexible enough and small enough to nurture the passions and unique approaches of the individual.  There was a lot of room to find your own way.  No school can completely prepare you for what everyone faces after graduation, but it was at Otis that we learned to combine our creative instincts with the ability to act upon them in strategic ways, and that’s made the difference for us.

 

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