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Events
  • Patrons Circle Tour

    May 30| Special Event
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    Otis' Patrons Circle Tour of Downtown L.A.!

    Discover how the creative economy is transforming downtown Los Angeles.  Studios and galleries continue to move to the heart of our city and into areas that were off the beaten path just a year ago. Otis Patrons Circle members will enjoy an Otis-inspired tour of downtown L.A.'s vibrant scene.  

    Tour includes:
    Visit to Kent Twitchell's ('77 MFA) new studio, followed by a short ride to see a few of his downtown murals

    Inside peek of Cynthia Vincent's ('88 Fashion Design) fashion design studio

  • Design Week 2015

    Jun 21| Special Event
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    OTIS’ MFA GRAPHIC DESIGN PROGRAM HOSTS:

    I AM THE CITY

    Design Week
    June 21-27, 2015

     

    VISITING ARTISTS

    Field Experiments: Benjamin Harrison Bryant, New York and Paul Marcus Fuog, Melbourne and Karim Charlebois-Zariffa, Quebec/NYC www.field-experiments.com

  • Bolsky

    Jun 27| Exhibition
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    Image: Erin Watson, Sausage, 2014, Inkjet print, 20 x 30 inches


    The Nature of Personal Reality

    June 27 – September 1, 2015
    Opening Reception: Saturday, June 27, 4-6pm
     

  • Opening Reception

    Jun 27| Special Event
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    Image: Erin Watson, Sausage, 2014, Inkjet print, 20 x 30 inches


    The Nature of Personal Reality

    Opening Reception: Saturday, June 27, 4-6pm

O-Tube

William Major

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In 2007, William B. Major’s (‘52, Fine Arts) works appeared beside those of Otis colleague Tyrus Wong ('32) (and Lillian Michelson) as part of an exhibition, “The Art of the Motion Picture Illustrator,” at the Academy of Motion Picture Arts and Sciences.AMPAS notes: “The impressive skills of these men define an era when the film industry prized art school training and an ability to paint and draw quickly at the highest professional levels. These accomplished fine artists sketched and painted innumerable scenes for each film, drew hundreds of pages of storyboards, and illustrated key sets; they enabled production designers to convey their ideas to directors, facilitated set construction, and helped directors and cinematographers alike visualize their most important shots."

A formative early experience for Major was working for Paramount on Cecil B. DeMille’s The Ten Commandments (1956). He spent most of his career at Paramount and Universal, with a brief stint at Disney. Other films he left his indelible mark upon included Tom Sawyer, Huckleberry Finn, and Dick Tracy.

“Major’s work seems especially refined and detailed,” writes FilmJourney, “not only sketching in atmospheric widescreen possibilities, but also incorporating highly detailed sets, props, and lighting suggestions, thus allowing directors like Roman Polanski (Rosemary’s Baby) and Mike Nichols (The Graduate) to pre-visualize important shots long before animatics became the norm."