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Events
  • Charlotte Cotton

    “Photography is Magic!”

     

  • Lucy Orta (b. Sutton Coldfield, UK, 1966) and Jorge Orta (b. Rosario, Argentina, 1953) founded Studio Orta in 1991. Lucy + Jorge Orta’s collaborative practice focuses on the social and ecological factors of environmental sustainability to realise major bodies of work employing drawing, sculpture, installation, object making, couture, painting and silkscreen printing, as well staging workshops, ephemeral interventions and performances.

  • Otis Community Banquet

    Oct 22| Special Event
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    In conjunction with the exhibition Food - Water - Life / Lucy + Jorge Orta
    Wednesday, October 22 | Bobrow Green
    11:30am – 12:30pm: Banquet for participating classes
    12:30 – 1:15pm: Open to Otis Community to view class projects created for Banquet, and sample soup and fruit-infused water

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artists Lucy + Jorge Orta.

    Thursday, October 23rd, 10am

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • Artists Lucy + Jorge Orta in conversation with the curators Ginger Gregg Duggan and Judith Hoos Fox of the traveling exhibition Food - Water - Life / Lucy + Jorge Orta. The conversation is followed by a reception. Food - Water - Life / Lucy + Jorge Orta is on view in the Ben Maltz Gallery through December 6, 2014.

  • JP Munro

    Oct 28| Lectures
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    Born 1975, Inglewood, CA. Lives and works in Los Angeles, CA.

    chinaartobjects.com/artists/jp-munro/

  • Minor Declaration

    Oct 29| Student Event
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    Highly Recommended for Sophomores

O-Tube

Wilfred Jackson

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Born in Chicago in 1906, Wilfred Jackson ('28) one of cartoon's greatest directors, worked in a formative period for the budding new medium. Working long hours through the heydays of early animation, Jackson is widely judged to have set the standard for subsequent cartoon directors. At Disney, he was integral to the creation of feature classics like Snow White, and was also a technical innovator in terms of merging sound to pictures.

“Jaxon,” as he was called by Walt Disney, attended Otis in 1925. Three years later, after “hanging around the Studios,” he volunteered to wash cels and assist animators at Disney until — in the same year that Mickey Mouse was born — he “found himself holding a paycheck,” later joking that "I'm the only guy [at Disney] who was never [actually] hired."

Jackson claims to have gotten into directing, too, by accident. After being asked by Walt to work out a sound-picture synchronization problem for the early sound cartoons, Jackson successfully devised a metronome to mark time that could be converted to a music track (a method still used in contemporary animation). The innovation, featured in Mickey Mouse's debut film "Steamboat Willie," revolutionized the entertainment medium, and Walt quickly promoted him from animator to director. Jackson garnered a reputation among Disney studio directors as “easily the most creative of the directors, but also the most ‘picky.’”

Among his other feats, Jackson contributed to the "Silly Symphony" shorts, and went on to direct 35 Academy Awards®-winning shorts: The Tortoise and The Hare, The Country Cousin, and The Old Mill. Probably the greatest example of his skill in developing action to music, however, was The Band Concert starring Mickey Mouse.

 Jaxon also applied his talent to other animated features, including Pinocchio, Dumbo, Saludos Amigos, Melody Time, Cinderella, Alice in Wonderland, Peter Pan, and Lady and the Tramp. He directed such memorable sequences as "The Night on Bald Mountain" in Fantasia. During the war years, he produced and directed government films for the U.S. Navy.

 In 1954, as Walt entered the new television medium, he asked Jaxon to produce and direct animated shows on the "Disneyland" series. His career at Disney spanned 35 years.