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  • Silke Otto-Knapp is a painter and associate professor of painting and drawing at UCLA. 
     
    She has had recent one-person exhibitions at Overduin and Kite, Los Angeles; Galerie Buchholz, Berlin; the Berkeley Art Museum/Pacific Film Archive; Greengrassi, London; Sadler’s Wells Theatre, London; Kunstverein Munich, Germany; Gavin Brown’s Enterprise, New York; the Banff Centre, Canada; Modern Art Oxford, UK; and Tate Britain, London.
     
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  • Sergej Jensen

    Mar 31| Lectures
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    Sergej Jensen’s work draws on a wide range of materials and formal references. Primarily known for his textile works, his lyrical compositions incorporate a variety of fabrics, from burlap and linen to silk and wool.
     
    He recently exhibited his work in the show "Classic" at Regen Projects, and his work is also included in LACMA's show "Variations: Conversations in and around Abstract Painting.”
  • Otis College of Art and Design Fine Arts Department presents the film collaborative from Berlin OJOBOCA.

     

    Thursday April 2nd, 2015
    7pm in Ahmanson Hall, lower-level screening room.
    9045 Lincoln Blvd, Los Angeles, CA 90045

     

  • Rea Tajiri

    Apr 07| Lectures
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    Rea Tajiri is a New York based filmmaker and educator who has written and directed an eclectic body of dramatic, experimental, and documentary films currently in commercial and educational distribution. She is also an Associate Professor at Temple University in the Film Media Arts Department.
     
    Learn more about the artist here.
     
  • Dusk to Dusk

    Apr 11| Exhibition
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    James Aldridge, The Gathering, 2010, Acrylic on canvas


    Dusk to Dusk: Unsettled, Unraveled, Unreal

    April 11 - July 26, 2015  |  Gallery Hours: Tue-Fri 10-5 / Thu 10-7 / Sat-Sun 12-4

  • Come fly a kite!

    Bring your family and friends to make and fly kites at the beach.

    Everyone will receive his or her own free, unique kite along with color theory instruction. Otis students will provide advice.

    Where

    Just north of the Santa Monica Pier
    Parking at the North Parking Lot 1: $12

    When

    Saturday, April 11, 2015, 10 am – 4 pm

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Wilfred Jackson

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Born in Chicago in 1906, Wilfred Jackson ('28) one of cartoon's greatest directors, worked in a formative period for the budding new medium. Working long hours through the heydays of early animation, Jackson is widely judged to have set the standard for subsequent cartoon directors. At Disney, he was integral to the creation of feature classics like Snow White, and was also a technical innovator in terms of merging sound to pictures.

“Jaxon,” as he was called by Walt Disney, attended Otis in 1925. Three years later, after “hanging around the Studios,” he volunteered to wash cels and assist animators at Disney until — in the same year that Mickey Mouse was born — he “found himself holding a paycheck,” later joking that "I'm the only guy [at Disney] who was never [actually] hired."

Jackson claims to have gotten into directing, too, by accident. After being asked by Walt to work out a sound-picture synchronization problem for the early sound cartoons, Jackson successfully devised a metronome to mark time that could be converted to a music track (a method still used in contemporary animation). The innovation, featured in Mickey Mouse's debut film "Steamboat Willie," revolutionized the entertainment medium, and Walt quickly promoted him from animator to director. Jackson garnered a reputation among Disney studio directors as “easily the most creative of the directors, but also the most ‘picky.’”

Among his other feats, Jackson contributed to the "Silly Symphony" shorts, and went on to direct 35 Academy Awards®-winning shorts: The Tortoise and The Hare, The Country Cousin, and The Old Mill. Probably the greatest example of his skill in developing action to music, however, was The Band Concert starring Mickey Mouse.

 Jaxon also applied his talent to other animated features, including Pinocchio, Dumbo, Saludos Amigos, Melody Time, Cinderella, Alice in Wonderland, Peter Pan, and Lady and the Tramp. He directed such memorable sequences as "The Night on Bald Mountain" in Fantasia. During the war years, he produced and directed government films for the U.S. Navy.

 In 1954, as Walt entered the new television medium, he asked Jaxon to produce and direct animated shows on the "Disneyland" series. His career at Disney spanned 35 years.