Events
  • Gallery 169 will be hosting the Otis College of Art and Design Communication Arts Graphic Design Junior Show, "5328," displaying a selection of work made over the five thousand twenty eight hours that make up the fall and spring semesters of the academic year. Work will include collected posters, publications, and typographic projects.
  • Clay, Body is a solo exhibition from artist Sydney Aubert: Unapologetically fat, crass, and sexual, a ceramics artist who also works in video, and whatever other materials arouse her in the moment. Exhibition will be on view from Monday, April 24 - Friday, April 28 at the Bolsky Gallery, Otis College of Art and Design. On view by appointment only, please contact the artist at sydney.aubert@gmail.com Reception: Thursday, April 27 | 6pm-9pm Bolsky Gallery, Otis College of Art and Design

  • Audrey Wollen is a feminist theorist and visual artist based in Los Angeles. Wollen uses social media, such as Twitter and Instagram, as platforms for her work on Sad Girl Theory, a theory which posits that internalized female sadness can be used as a radical and political action, separate from masculinized forms of protests such as anger and violence. She introduces this form of protest as an alternative to masculinized anger and violence.
  • Bring family and friends to reconnect with fellow alumni at the studio of Albert Valdez ('10) following Brewery ArtWalk, an open studio weekend with over 100 participating resident artists.

    Parking is located inside the Brewery campus.  

    Visit www.breweryartwalk.com for directions and other information. 

  • Otis Radio: Our Story`

    May 01| Special Event
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    Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Our Story. Join DJ Wormlord (Maggie Gilbert), DJ Ace (Grace Kanchana), and DJ Mango (Stacy Li) as we have real talk in real time. Don't miss out!

     

    Listen online at KLMU.

    All shows will be simulcast on 96.1FM in the Otis Commons and archived on otisradio.tumblr.com

  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 5:00 - 6:00 pm is The Girls Room with DJ Lonesome (Jaclyn Arellano), DJ Filth (Mady Preece), DJ Duchamp’s Urinal (Carly Goldstein). In this political climate, it is finally time to take charge of our own bodies and image. No more housewife norms to determine what a woman should look like. Join us in conversation with the tools of music and noise to express what it means to be a woman. We will challenge the definitions and misconceptions about masculinity and femininity, creating a space where women can feel free to ask questions and get answers from other women.

    Listen: http://edg-ord-kxlu.streamguys1.com/klmu

  • Each year, the Benefit black-tie gala features Los Angeles' largest fashion runway show with more than 70 professional models in 125-plus fashion designs for women, men, and juniors. Approximately 800 guests— a creative crowd of leaders in fashion and entertainment— get a glimpse of the future of fashion design from those who invent it, Otis College fashion students.

O-Tube

Marjan Vayghan '06 Fine Arts

Dec 16, 2013
Contemporary art in Tehran
Spotlight Category: Alumni
After graduating from Otis, I packed four suitcases, two carry-ons and a computer bag full of art, and traveled to MOCA Tehran in 2007 to curate “Manifestation of Contemporary Arts in Iran.” The exhibition featured works from 67 Iranian and American artists, including Chair of Graduate Public Practice Suzanne Lacy, Masami Teraoka (’68 MFA), Co-founding Director of Artsts, Community and Teaching program Jerri Allyn, and honorary degree recipient Bill Viola. Former Prime Minister and reformist politician Mir Hossein Mosavi’s name appeared in the exhibition catalogue.
 
During the Green Revolution, I returned to Iran to curate a solo exhibition of Masami Teraoka’s watercolors. On August 5, 2009, my partner and I took a cab towards the gallery. Police presence mushroomed on Vanak Square as forces on foot, motorcycles, and vans lined the street. Suddenly I was pulled out of our cab while a man foaming from the mouth lunged his upper body into the moving taxi. Arrested, blindfolded and hooded, we were interrogated into the early hours of August 6. On August 7, I attended my first childhood friend’s funeral, where his mother grabbed my inner knee, pleading for her son. Speechless, I disconnected from all I knew. I didn’t leave my aunt’s home again until August 18, when I was assaulted by two men on a motorcycle. My cries were quickly silenced, as I was informed that it is unladylike to cry in public. My only remaining impulse was a need to articulate creatively.
 
On August 29, I opened Masami Teraoka’s solo exhibition. Everything I had to say about the taboo topics of globalization, Westernization, sanctions, fundamentalism, HIV, prostitution, and the trafficking of young girls as Iran’s biggest export could be found in Masami’s controversially bold paintings. Masami’s work embraced and visualized the aesthetics of the green movement in a complex subversive plateau just beneath the governing factions of the Islamic Republic’s radar of genocide and oppression. The paintings were done in the 1970s with traditional Japanese brushstrokes but they were perfect for the “Jumong”-obsessed Tehran of 2009. The 2009 uprising was inspired more by “Jumong” (an extremely popular South Korean soap opera) than by Mir Hossein Mousavi.
 
These days I find myself working on the two time zones of Tehran and Los Angeles. 10:00 am - 5:00 pm bears a plethora of emails, and an endless search for regular curating and writing gigs to support my many art and activism obsessions. 10:00 pm - 5:00 am is spent curating and organizing Rooftop Projections and Exhibits throughout Iran. Updates from family members and friends include: “Grandma was hit by a motorcyclist. Grandpa is losing his sight and memories. You shouldn’t come back to Iran this summer. Strangers are coming by the gallery and asking for you.” I continue shifting my consciousness towards collecting subversive literature and art for our Rooftop Exhibits. 
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