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Events
  • Nancy Lupo

    Apr 21| Lectures
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    Nancy Lupo is a Los Angeles based artist who has attended Flagstaff Arts and Leadership Academy, Pratt Institute, Cooper Union School for the Advancement of Science and Art, and École Nationale Superiérieur des Beaux-Arts in Paris, France. 

     

    Learn more about the artist here.

  • LA/LA: Place and Practice is a two-day symposium organized by Scripps College, the Getty Foundation, the Getty Research Institute, and The San Diego Museum of Art in conjunction with Pacific Standard Time: LA/LA an initiative led by the Getty. Supported by a grant from the Getty Foundation, this two-day event will be held at The San Diego Museum of Art on Saturday, May 2, 2015 and at the Getty Center on Monday, May 4, 2015. RSVP here.

  • 33rd Annual Scholarship Benefit and Fashion Show

    Saturday, May 2, 2015
    6:30pm
    The Beverly Hilton
    Cocktails, Dinner, and Runway Fashion Show

  • LA/LA: Place and Practice is a two-day symposium organized by Scripps College, the Getty Foundation, the Getty Research Institute, and The San Diego Museum of Art in conjunction with Pacific Standard Time: LA/LA an initiative led by the Getty. Supported by a grant from the Getty Foundation, this two-day event will be held at The San Diego Museum of Art on Saturday, May 2, 2015 and at the Getty Center on Monday, May 4, 2015. RSVP here.

  • On the Roof

    May 05| Exhibition
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    Graduate Fine Arts Final Exhibition featuring work by

    Soo Yun Jun 
    Delia Perez Salinas Tijerina 
    Yasmin Than
    Sean Cully
    Rachel Indergaard 
    Kristy Baltezore 
    Angie Kim 

  • View work by the next generation of creative professionals in

    Architecture/Landscape/Interiors
    Communication Arts: Advertising Design, Graphic Design, Illustration
    Digital Media: Animation, Game & Entertainment Design, Motion Design
    Fashion Design: Costume Design
    Fine Arts: Painting, Photography, Sculpture/New Genres
    Product Design
    Toy Design

    Graduate Fine Arts

  • View work by the next generation of creative professionals in

    Architecture/Landscape/Interiors
    Communication Arts: Advertising Design, Graphic Design, Illustration
    Digital Media: Animation, Game & Entertainment Design, Motion Design
    Fashion Design: Costume Design
    Fine Arts: Painting, Photography, Sculpture/New Genres
    Product Design
    Toy Design

    Graduate Fine Arts

O-Tube

Marjan Vayghan '06 Fine Arts

Dec 16, 2013
Contemporary art in Tehran
Spotlight Category: Alumni
After graduating from Otis, I packed four suitcases, two carry-ons and a computer bag full of art, and traveled to MOCA Tehran in 2007 to curate “Manifestation of Contemporary Arts in Iran.” The exhibition featured works from 67 Iranian and American artists, including Chair of Graduate Public Practice Suzanne Lacy, Masami Teraoka (’68 MFA), Co-founding Director of Artsts, Community and Teaching program Jerri Allyn, and honorary degree recipient Bill Viola. Former Prime Minister and reformist politician Mir Hossein Mosavi’s name appeared in the exhibition catalogue.
 
During the Green Revolution, I returned to Iran to curate a solo exhibition of Masami Teraoka’s watercolors. On August 5, 2009, my partner and I took a cab towards the gallery. Police presence mushroomed on Vanak Square as forces on foot, motorcycles, and vans lined the street. Suddenly I was pulled out of our cab while a man foaming from the mouth lunged his upper body into the moving taxi. Arrested, blindfolded and hooded, we were interrogated into the early hours of August 6. On August 7, I attended my first childhood friend’s funeral, where his mother grabbed my inner knee, pleading for her son. Speechless, I disconnected from all I knew. I didn’t leave my aunt’s home again until August 18, when I was assaulted by two men on a motorcycle. My cries were quickly silenced, as I was informed that it is unladylike to cry in public. My only remaining impulse was a need to articulate creatively.
 
On August 29, I opened Masami Teraoka’s solo exhibition. Everything I had to say about the taboo topics of globalization, Westernization, sanctions, fundamentalism, HIV, prostitution, and the trafficking of young girls as Iran’s biggest export could be found in Masami’s controversially bold paintings. Masami’s work embraced and visualized the aesthetics of the green movement in a complex subversive plateau just beneath the governing factions of the Islamic Republic’s radar of genocide and oppression. The paintings were done in the 1970s with traditional Japanese brushstrokes but they were perfect for the “Jumong”-obsessed Tehran of 2009. The 2009 uprising was inspired more by “Jumong” (an extremely popular South Korean soap opera) than by Mir Hossein Mousavi.
 
These days I find myself working on the two time zones of Tehran and Los Angeles. 10:00 am - 5:00 pm bears a plethora of emails, and an endless search for regular curating and writing gigs to support my many art and activism obsessions. 10:00 pm - 5:00 am is spent curating and organizing Rooftop Projections and Exhibits throughout Iran. Updates from family members and friends include: “Grandma was hit by a motorcyclist. Grandpa is losing his sight and memories. You shouldn’t come back to Iran this summer. Strangers are coming by the gallery and asking for you.” I continue shifting my consciousness towards collecting subversive literature and art for our Rooftop Exhibits. 
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