Otis College of Art and Design logo
Events
  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
    More

    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Jan Brandt

    Sep 04| Lectures
    More
  • Joel Kyack

    Sep 09| Lectures
    More
    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

O-Tube

Richard Pettibone

Richard PettiboneRichard Pettibone

 

 Richard Pettibone (‘62, MFA)'s early influences were Warhol's thirty-two cans of soup at the Ferus Gallery in 1962 and Duchamp's first U.S. retrospective at the Pasadena Art Museum in 1963. By 1965, he began making miniature copies of work by contemporary artists such as Warhol, Lichtenstein, and Johns. He recreated their processes, and mounted the canvases on dollhouse stretcher bars and frames. Pettibone pioneered appropriation art, creating a distinctively West Coast current of "Conceptual Pop."
 

His first solo show was at L.A.’s legendary Ferus Gallery, and from there he exhibited largely in N.Y. at Castelli, OK Harris, and the Curt Marcus Gallery. He has had approximately 35 solo exhibitions since 1965. In 2006, he was the subject of a museum retrospective that toured the country.
 

Regarding this retrospective’s showing at the Laguna Beach Museum, Los Angeles Times reviewer Holly Myers spoke of Pettibone's "exceptionally beautiful, sharp, skillful and tenderly crafted" paintings. According to Myers, the work of the last 40 years "makes a strong case for Pettibone's standing among the top tier of L.A.'s Ferus-generation artists."