Events
  • Shila Khatami

    Oct 04| Lectures
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    Though Shila Khatami’s paintings make use of pop cultural references—sometimes the titles quote Blondie or Cyndi Lauper lyrics—her works are ultimately about the tradition and material possibilities of painting. As the base for these works, Khatami uses readymade or manufactured objects found in common hardware stores, such as smooth sheets of aluminum, fiberboards, pegboards, and phonic isolation foam. Her painting process includes a wide range of non-traditional tools, like rubber bands and masking tape, and methods such as rolling, dripping, and scoring.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Leonardo Bravo is an artist, curator, and educator and the Founder of Big City Forum. Big City Forum is an interdisciplinary project designed to explore the intersection between design-based creative disciplines (Design, Architecture, Urban Planning, etc) that take into account public space and the built environment. Big City Forum facilitates the exchange of ideas through gatherings, symposiums, exhibitions, and special events that promote forward-thinking projects and the individuals at the forefront of this vision.

  • Chris Coy

    Oct 11| Lectures
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    Chris Coy is an artist and filmmaker. His work has shown at the New Museum of Contemporary Art in New York, the Sundance Film Festival, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and numerous international art festivals and exhibitions. He received his MFA from the University of Southern California in 2012. He is represented by Anat Ebgi, Los Angeles.

  • Professor Karen Tongson joined the USC faculty in English and Gender Studies in fall 2005. She received her Ph.D. in English from the University of California, Berkeley. Before coming to USC, Tongson held a University of California President's Postdoctoral Fellowship in Literature at UC San Diego, and a UC Humanities Research Institute (UCHRI) Residential Research Fellowship at UC Irvine.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • Patrick Jackson studied at San Francisco Art Institute (BFA) and the University of Southern California (MFA). In May 2017, Patrick Jackson will have a solo exhibition at The Wattis Institute, San Francisco.

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Richard Pettibone

Richard PettiboneRichard Pettibone

 

 Richard Pettibone (‘62, MFA)'s early influences were Warhol's thirty-two cans of soup at the Ferus Gallery in 1962 and Duchamp's first U.S. retrospective at the Pasadena Art Museum in 1963. By 1965, he began making miniature copies of work by contemporary artists such as Warhol, Lichtenstein, and Johns. He recreated their processes, and mounted the canvases on dollhouse stretcher bars and frames. Pettibone pioneered appropriation art, creating a distinctively West Coast current of "Conceptual Pop."
 

His first solo show was at L.A.’s legendary Ferus Gallery, and from there he exhibited largely in N.Y. at Castelli, OK Harris, and the Curt Marcus Gallery. He has had approximately 35 solo exhibitions since 1965. In 2006, he was the subject of a museum retrospective that toured the country.
 

Regarding this retrospective’s showing at the Laguna Beach Museum, Los Angeles Times reviewer Holly Myers spoke of Pettibone's "exceptionally beautiful, sharp, skillful and tenderly crafted" paintings. According to Myers, the work of the last 40 years "makes a strong case for Pettibone's standing among the top tier of L.A.'s Ferus-generation artists."

 

 

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