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  • Silke Otto-Knapp is a painter and associate professor of painting and drawing at UCLA. 
     
    She has had recent one-person exhibitions at Overduin and Kite, Los Angeles; Galerie Buchholz, Berlin; the Berkeley Art Museum/Pacific Film Archive; Greengrassi, London; Sadler’s Wells Theatre, London; Kunstverein Munich, Germany; Gavin Brown’s Enterprise, New York; the Banff Centre, Canada; Modern Art Oxford, UK; and Tate Britain, London.
     
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  • Sergej Jensen

    Mar 31| Lectures
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    Sergej Jensen’s work draws on a wide range of materials and formal references. Primarily known for his textile works, his lyrical compositions incorporate a variety of fabrics, from burlap and linen to silk and wool.
     
    He recently exhibited his work in the show "Classic" at Regen Projects, and his work is also included in LACMA's show "Variations: Conversations in and around Abstract Painting.”
  • Otis College of Art and Design Fine Arts Department presents the film collaborative from Berlin OJOBOCA.

     

    Thursday April 2nd, 2015
    7pm in Ahmanson Hall, lower-level screening room.
    9045 Lincoln Blvd, Los Angeles, CA 90045

     

  • Rea Tajiri

    Apr 07| Lectures
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    Rea Tajiri is a New York based filmmaker and educator who has written and directed an eclectic body of dramatic, experimental, and documentary films currently in commercial and educational distribution. She is also an Associate Professor at Temple University in the Film Media Arts Department.
     
    Learn more about the artist here.
     
  • Dusk to Dusk

    Apr 11| Exhibition
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    James Aldridge, The Gathering, 2010, Acrylic on canvas


    Dusk to Dusk: Unsettled, Unraveled, Unreal

    April 11 - July 26, 2015  |  Gallery Hours: Tue-Fri 10-5 / Thu 10-7 / Sat-Sun 12-4

  • Come fly a kite!

    Bring your family and friends to make and fly kites at the beach.

    Everyone will receive his or her own free, unique kite along with color theory instruction. Otis students will provide advice.

    Where

    Just north of the Santa Monica Pier
    Parking at the North Parking Lot 1: $12

    When

    Saturday, April 11, 2015, 10 am – 4 pm

O-Tube

Raymond Zibach

Raymond ZibachRaymond ZibachRaymond Zibach

 

Watch youtube video interview

Zibach (’90 Illustration) entered the world of Hollywood as a background artist, stylist, and key background painter before becoming head of a feature background paint department, then art director, and has recently crowned his achievements as the production designer for Kung Fu Panda, a DreamWorks hit, receiving the most Animated Film Society ‘Annie Award’ nominations (17) among animated films in 2008. The film is currently a shortlisted nominee for one of three coveted Academy Award feature animation spots, garnering critical raves such as Time magazine’s, that it "provides a master coursed in cunning visual art.”

"Raymond had great design ideas for the show in terms of the characters' shape language and the textural detail we wanted to achieve, “says visual effects supervisor Markus Manninen in Animation World magazine. "We spent a lot of time evaluating and deciding how to get that richness onscreen while making smart choices about what big complicated systems we needed to develop [in order to realize the final project]."

“We used tons of reference sources,” adds Zibach. “I was on the film for five years. We looked at Chinese art and architecture, even temple carvings. We immersed ourselves in the culture. […] Our original [concept] paintings of China were a big influence. They were done in watercolor and ink wash, but the more modern colors we used came naturally to me from working in animation. I was more influenced by people like Mary Blair and classic animation art directors who always pushed the color emotionally. Our backgrounds have an electricity to them when they're lit in CG.”

"I was definitely more influenced by traditional animation, but also by movies like Hero, Crouching Tiger, Hidden Dragon or House of Flying Daggers. They're kung fu movies, but they're so heavily art-directed and beautiful, with a great emotional tie between color and what's happening onscreen.”

Zibach has constantly found ways to blend drawing and painting with cutting-edge CG techniques in order to create a fresh look and feel for each TV or film project that he works on, which includes Space Jam, Star Wars: Clone Wars, Alvin and the Chipmunks, Ren and Stimpy and Sinbad: Legend of the Seven Seas.

Thinking back on his Otis days, Zibach recalls: “Design, composition, color, traditional painting ability, the drive to complete assignments in creative ways and be your own worst critic, were all key to landing a job in animation. From that point on I found my own way.”