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  • Angie Bray: Shhhh

    Jan 17| Exhibition
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    Angie Bray: Shhhh

    January 17 – March 22, 2015

    Opening Reception: January 24, 4-6pm

    Angie Bray: Shhhh is a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery at Otis College of Art and Design. The exhibition opens on Saturday, January 17, 2015.

    About the Exhibition

  • Opening Reception for Angie Bray: Shhhh a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery.

  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.3 by JAMES CORNER


    Wednesday    18 February 2015    7:30 PM
    Ahmanson Auditorium   limited, open seating starting at 7:00 PM  

    at THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES

    250 SOUTH GRAND AVENUE  LOS ANGELES CA  90012

     

    This lecture is free and open to the public.

     

  • Bassoon Performance

    Feb 22| Special Event
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    Bassoonist John Steinmetz Performs and Converses with the Audience
    Playing live bassoon inside the exhibition Angie Bray: Shhhh, Steinmetz will react to Bray’s installations by playing some of his own music as well as new compositions, and will converse with the audience, who are encouraged to sit or roam through the gallery looking and listening.

  • Composer Kubilay Üner offers a “reactive” experience with a live presentation of a new composition made in response to the exhibition Angie Bray: Shhhh. The performance will be interspersed with conversation between Üner and Bray.

  • Closing reception for exhibition Angie Bray: Shhhh

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Paul Landacre

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Landacre ('27) has carved out a hallowed space among preeminent printmakers of the 20th century. His prints and early linocuts can be found in more than 150 active public collections nationwide, and in numerous books on American printmaking and wood engraving. His wood engravings have been included in numerous exhibitions, including the 1939 New York Worlds Fair. The Silver Lake house he shared with his wife of 38 years is now designated as an Historic Building.

The land and sea of the American West, including the hills and mountains of Big Sur, Palm Springs, Monterey, and Berkeley. provided a fundamental inspiration for many of Landacre's linoleum cuts and wood engravings. His unique style included meticulously carved fine lines, delicate cross hatching, and flecking – all in white, that sharply contrast with richly blackened areas.

Landacre also taught wood engraving at USC, and Otis, and held memberships in the California Society of Etchers, California Print Makers Society, American Society of Wood Engravers, and the American Society of Etchers, Gravers, Lithographers and Woodcutters.

Landacre’s personal story is noteworthy. A promising track and field athlete at Ohio State University, Landacre was stricken with a streptococcus infection that rendered his upper body permanently and physically weakened. After graduation, he moved to the healthier climate of San Diego where he worked as a draftsman. To advance his drawing skills, Landacre relocated in 1923 to study at Otis, where he met Margaret McCreery, an advertising copywriter, and by 1925 they were married.

Feeling the call of printmaking, and eager to transition into fine art, Landacre taught himself the demanding art of carving linoleum blocks and, eventually, woodblocks for both wood engravings and woodcuts. He met and impressed Jake Zeitlin, who ran a bookshop that included a small gallery space; here Landacre had his first significant solo exhibition.