Otis College of Art and Design logo
Events
  • Angie Kim

    MFA Exhibition: SAME

    Reception Thursday, Feb 6th, 6-9 pm

  • Amy Adler

    Feb 03| Lectures
    More
    Amy Adler graduated from Cooper Union and received an MFA in Visual Art from UCLA and an MFA in Cinematic Arts from USC. She has had one person shows at the Museum of Contemporary Art Los Angeles, the Museum of Contemporary Art San Diego and The Aspen Art Museum as well as galleries worldwide. 
     
  • same / mfa THESIS EXHIBITION 



    Angie Kim

    Exhibition, February 2 - 8, 2015 

    Reception, February 5, 6:00 - 9:00pm
 

    
Map of Location

     
  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • Alex Israel

    Feb 10| Lectures
    More
    The work of Alex Israel is deeply entwined with his hometown of Los Angeles. The artist creates art that riffs on Hollywood culture and the cult of celebrity. His first major body of work consisted of rented studio props, transformed into readymades by their placement in the gallery—some blatantly obvious in their artificiality. He gave celebrities the same treatment in the video series “As It Lays”, video portraits based on campy TV talk shows.
  • Menno Cruijsen, Lava Design
    February 12, 12:30-1:30, Ahmanson 6th floor

    Lava was founded in 1990 by creative director Hans Wolbers (the Netherlands, 1965). The current team consists of 10 talented designers and three projectmanagers. The agency is focused on creative strategy, editorial design and dynamic identities.

    http://www.lava.nl

  • MAKING SENSE / Thesis Exhibition 



    Exhibition, February 16 - 21, 2015 

    Reception, February  19, 6:00 - 9:00pm
 

    
Map of Location

     

    

Website: www.rachelwolfe.com | Blog: howlya.tumblr.com

O-Tube

Norman Zammitt

Norman ZammittNorman ZammittNorman Zammitt

 

Norman Zammitt was (1931-2007) raised on the Mohawk [Caughnawaga Indian] reservation near Montreal. After serving in the U.S. Air Force during the Korean War, he returned to America, graduated from Pasadena City College in 1957, and earned his MFA ('61) from Otis in 1961. He taught art at California Institute of the Arts, USC, and UCLA during his long career as an artist.

His often mural-sized works can now be found in private collections as well as at the Museum of Modern Art, the Hirschhorn Collection, and the Corcoran Gallery. His straight-edge style suggested mathematics and engineering, some reviewers observed; others posited that the ethereal element in his art seemed to rise up out of the geometry by intention. Often his work was said to create a “meditative mood.”

“Zammitt crafted meticulous bands of color in subtle gradations and shades in his paintings,” noted the Los Angeles Times. “Many of them evoke sunsets, deserts and other scenes in nature. And according to Carol Eliel, curator of modern and contemporary art at the Los Angeles County Museum of Art, “[Zammitt] translated the light and landscape of California to paint. He wanted to include the more spiritual aspects of the California landscape in his work.”

Still, Eliel notes that Zammitt’s art didn’t fit neatly into a single school or movement, though his interest in capturing light and space related his work to that of such artists as Larry Bell and Robert Irwin (’50). At the same time, his precision and a preference for sleek surfaces related his creations to the art of Billy Al Bengston (‘57), among other Otis-trained California artists who rose to prominence in the 1970s.

Of his art, Zammitt once wrote to an Otis colleague: “The artist’s first responsibility is to his own truth. For me, art is a responsibility to myself, to my own sincere thoughts. To keep in contact with that is a constant struggle. […] To recreate an old form or create a new form is not necessarily the most important concern. Form should be a result, a sincere statement of integrity; form happens as part of a desire to make a statement straight from the heart. Form seems to always be there, and the need to express it becomes stronger and stronger. Each expression does not slowly exhaust the source, but on the contrary, the artist cannot keep up with what he has to say. […] For me, this has become a way of life. I never planned it to be this way, but I am glad about it. Nothing else makes me feel more right, more my own self.”

Click here for more information