Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

O-Tube

Kerry James Marshall

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YouTube interview

Marshall ('78), born in Birmingham, Alabama in 1955, lives and works in Chicago. He received an honorary degree from Otis in 1999. In 1997 he was awarded a John D. and Catherine T. MacArthur Foundation grant. He was one of the artists featured in the PBS series on contemporary American art "Art in the 21st Century." In 2013, he was appointed by President Barack Obama to the President's Committee on the Arts and Humanities.

African-American popular culture informs his paintings, installations, and public projects. As he stated "You can't be born in Birmingham, Alabama, in 1955 and grow up in South Central [Los Angeles] near the Black Panthers headquarters, and not feel like you've got some kind of social responsibility. You can't move to Watts in 1963 and not speak about it. That determined a lot of where my work was going to go." Marshall's work is based on a broad range of art historical references, from Renaissance painting to black folk art, from Canaletto to Charles White, one of his Otis teachers.

His work has been exhibited in and collected by major U.S. museums for over twenty years and featured in international exhibitions such as documenta X, Kassel, and the traveling exhibition Postcards from Black America: Contemporary African American Art (1998). In 1998, his work was the subject of a major exhibition organized by the Renaissance Society at the University of Chicago that traveled to the Brooklyn Museum, N.Y., San Francisco Museum of Modern Art, and the Institute of Contemporary Art, Boston. The Vancouver Art Gallery, British Columbia, held a major retrospective in 2011, and in 2009, he painted a large-scale mural in the atrium of the Museum of Modern Art, San Francisco. In 2013, the National Gallery of Art in D.C. held a solo show of his work (10 paintings and 20 works on paper), In the Tower. Kerry James Marshall: Painting and Other Stuff  opened at the Museum van Hedendaagse Kunst Antwerpen, Belgium, and travels through October 2014 to Kunsthal Charlottenborg, Denmark; Antoni Tapies Foundation, Barcelona; and  Museo Nacional Centro de Arte Reina Sofia, Madrid.
 

 

 

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