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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Ken Price

Ken PriceKen PriceKen PriceKen Price

 

Ken Price (’57), deceased 2012, combines sensuous, bio-morphic forms with a striking use of color to make otherworldly objects that morph between pure abstraction and figurative illusion. He molded each sculpture by hand in clay, and fires it in a slow kiln. Once cured, the form is covered with numerous layers of acrylic paint in a complex palette. Frequently, the final color is iridescent, which gives the surface an alluring sheen. When the paint application is complete, Price sanded the form, removing the clay’s fine granules and revealing the buried layers of color.

Price graduated from the University of Southern California in 1956, with a degree in art. He then spent a year studying with the renowned clay master Peter Voulkos at the Los Angeles County Art Institute (now Otis College of Art and Design). First exhibiting at the legendary Ferus Gallery in 1960, Price had a distinguished career showing his sculpture in both private galleries and throughout the world, including the Walker Art Center, Minneapolis; Menil Collection and Contemporary Arts Museum, Houston; Los Angeles County Museum of Art; Whitney Museum of American Art; and Louisiana Museum, Denmark. Public collections include the Albright Knox Gallery, Buffalo; Metropolitan Museum, Museum of Modern Art; Carnegie Museum of Art; Dallas Museum of Art; the National Gallery of Art; Hirshhorn Museum and Sculpture Garden; Art Institute of Chicago, LACMA and the Museum of Contemporary Art, Los Angeles; Stedelijk Museum, and the Victoria and Albert Museum, London. He had ten solo exhibitions in Los Angeles at L.A. Louver.

www.kenprice.com