Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
    More

    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

O-Tube

John Mason

John MasonJohn MasonJohn MasonJohn Mason

 

John Mason ('57), born in Madrid Nebraska in 1927, began exhibiting his powerful ceramic work at L.A.’s legendary Ferus Gallery in the late 1960s. He was one of the leaders of a revolution that transformed clay into a fine art medium. Mason is closely allied with Peter Voulkos, and the pioneering Otis Clay group. During the 1950s and 1960s, both master ceramicists pushed the boundaries of functional ceramics to create massive, energetic sculpture that broke the field wide open.

As a sculptor, Mason has always demonstrated an intuitive understanding of the plasticity of form. He works with relatively simple three-dimensional forms to exploit his interest in spatial perception, mathematical progression, and modular repetition. His fascination with torque and rhythm results in forms that twist, curve, spin and wind in space. He builds huge, rough pots, walls, monumental rectangles, x-shapes and crosses that communicate vitality as well as grace.

Click here for more information.

 

Otis College Ranked 6th in Nation by The Economist