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    SCREENING AND CONVERSATION with Margaret Prescod, Founder, Black Coalition Fighting Back Serial Murders and host of “Sojourner Truth” on Pacifica Radio’s KPFK.
    Nana Gyamfi, Lawyer-Black Lives Matter, Black Coalition Fighting Back Serial Murders.

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Oliver Payne, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Kimberli Meyer trained as an architect and an artist, and has been the director of the MAK Center for Art and Architecture at the Schindler House in West Hollywood since 2002. She has initiated and curated many programs there, including the exhibitions How Many Billboards?

  • Industry Spotlight

    Oct 15| Special Event

    An advertising creative director for more than 25 years, Otis alumnus Josh Weltman was the Mad Men co-producer responsible for Don Draper's credibility as an advertising genius.


    Join us for a behind-the-scenes look at the hit series, plus hear key insights from Weltman's new book Seducing Strangers: How to Get People to Buy What You're Selling.


    October 15, 6:30 - 9:30 pm

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Yutaka Makino. He lives and works in Berlin.  Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Susan Choi’s first novel, The Foreign Student, won the Asian-American Literary Award for fiction, and her second novel, American Woman, was a finalist for the 2004 Pulitzer Prize. Her most recent novel, A Person of Interest, was a finalist for the 2009 PEN/Faulkner Award. With David Remnick she co-edited the anthology Wonderful Town: New York Stories from The New Yorker. A recipient of fellowships from the NEA and the Guggenheim Foundation, and in 2010, the inaugural winner of the PEN/W.G. Sebald Award, Choi lives in Brooklyn.

  • Joe Sola (‘99)’s work has been exhibited internationally in galleries and museums including: The San Francisco Museum of Modern Art, Los Angeles County Museum of Art, The Hammer Museum, The Hirshorn Museum and Sculpture Garden, The Andy Warhol Museum  and Kunsthaus Gras, Austria, Museum of Modern Art Jean-Duc, Luxembourg. Museo Rufino Tamayo, Mexico City.  His performances have taken place at Los Angeles Contemporary Exhibitions, MOT International in London, 356 Mission Rd, Los Angeles.


Hideo Date

Hideo DateHideo DateHideo Date


Hideo Date was born in Osaka, Japan, and emigrated to California in 1923. After graduating from high school, he enrolled at Otis but left after a year to pursue the study of traditional ‘nihonga’ brush painting in Japan. This style melded the strong use of line in Japanese painting with Western techniques of perspective and modeling.

Date returned to L.A. where, during the late 1920s and 1930s he says that he and his fellow artists “were influenced by Orient across the Pacific just as N.Y. was influenced by Europe across the Atlantic. He was part of the so-called "Independents," a group of L.A.-based artists who rejected modernism and described their work as “Linear-composition.”

Date and his colleagues fell under the influence Stanford MacDonald-Wright, who oversaw the Los Angeles Art Students League and was one of the originators of Synchronism, the “orchestration” of colors in paintings based on “major” and “minor” color scales —as well as the avant-garde art scene. Macdonald-Wright’s works impressed Date, who admitted: “I was flabbergasted, such colors I had never seen before.”

Date spent the 1930s creating art and exhibiting through groups such as the College Art Association, the Foundation of Western Art, the Los Angeles Oriental Artists Group, and the Los Angeles Art Association. Because he held onto nearly all of his work, he had to make his living from odd jobs, once working on a mural at Mary Pickford’s mansion. He also depended on the generosity of friends, the occasional commission, and private teaching.

Art exhibitor Hammond Sadler once described Date’s work as being “primarily interested in linear movement and color. Combining these elements in a manner never attempted by the older Japanese painters, he has scorned the strictly traditional for ‘Datean.’ Particular note of his work in watercolor must be made. The finish, developed by him, is unsurpassed in its jewel-like surface.”

The outbreak of World War II sent Date to Wyoming’s Heart Mountain concentration camp, where he taught art privately to other Japanese-American inmates. After the war, he went to New York and traveled extensively, including trips to Italy and France.

“Over his lifetime,” writes Japanese-American National Museum curator Karin Higa, “Date had preferred not to sell his artwork even when he had the chance.” But in 1999, Date finally decided to donate more than 190 works to the L.A.’s Japanese American National Museum.