Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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George Chann

George ChannGeorge ChannGeorge ChannGeorge Chann

 

George Chann (‘45, Fine Arts) was born in Canton, China in 1913 and at age twelve, he emigrated with his father to California. With a solid training in Impressionist techniques, Chann painted poor blacks, Chinese, and Mexicans, especially the aged and the orphaned. He is best known for Chinese calligraphy-incorporated abstract expressionist paintings, which he began producing in the ‘50s.

His own art gallery displayed not only his own work, but also jewelry and Chinese artifacts, including calligraphy and rubbings taken from oracle bones, bronze vessels and steles. Chann worked every day at the easel in the back room of his shop for 40 years, though he sold little of his work. After he died in 1995, his social realist paintings gained recognition.

Chann's first posthumous exhibitiion took place in Taipei in 2000. Earllier exhibitions include the California Art Club, 1941 (solo); CPLH, 1942, 1944 (solos); LACMA, 1942 (solo), 1943; De Young Museum, 1944 (solo); and Foundation of Western Art (LA), 1945. His work was also featured at the Shanghai Art Museum in China in the fall of 2005.

A series of Chann’s paintings involved scenes from the Bible. He donated 250 works to the Crystal Cathedral in Orange County, where they are permanently displayed.

 

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