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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

George Chann

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George Chann (‘45, Fine Arts) was born in Canton, China in 1913 and at age twelve, he emigrated with his father to California. With a solid training in Impressionist techniques, Chann painted poor blacks, Chinese, and Mexicans, especially the aged and the orphaned. He is best known for Chinese calligraphy-incorporated abstract expressionist paintings, which he began producing in the ‘50s.

His own art gallery displayed not only his own work, but also jewelry and Chinese artifacts, including calligraphy and rubbings taken from oracle bones, bronze vessels and steles. Chann worked every day at the easel in the back room of his shop for 40 years, though he sold little of his work. After he died in 1995, his social realist paintings gained recognition.

Chann's first posthumous exhibitiion took place in Taipei in 2000. Earllier exhibitions include the California Art Club, 1941 (solo); CPLH, 1942, 1944 (solos); LACMA, 1942 (solo), 1943; De Young Museum, 1944 (solo); and Foundation of Western Art (LA), 1945. His work was also featured at the Shanghai Art Museum in China in the fall of 2005.

A series of Chann’s paintings involved scenes from the Bible. He donated 250 works to the Crystal Cathedral in Orange County, where they are permanently displayed.