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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Eduardo Sarabia

Eduardo SarabiaEduardo SarabiaEduardo SarabiaEduardo Sarabia

 

Eduardo Sarabia ('99), born in L.A., lives in Berlin and Guadalajara. His work honors and mocks his Latino heritage through exposing Mexican cultural clichés about drug smuggling, banditry, and the import/export of tawdry contraband. He stages semifictional events, for which he creates the fake evidence: handcrafted ceramic objects, drawings, paintings, photographs, and sculptures. An installation titled “A Thin Line between Love and Hate” (2005) juxtaposed shipping boxes screenprinted with “Maizena,” “Producto de Colima”) and the containers’ “real” contents—blue-and-white Chinese-style vases decorated with images of pinup girls, marijuana leaves, rifles, and skulls.

At Salon Aleman, in Berlin, created for curator Anton Vidokle's Unitednationsplaza, patrons drank the artist’s Sarabia tequila. Playing on the stereotype of Latinos as cantina dwellers, Sarabia exposed the symbiosis between the third-world poverty of rural agave farming and tequila production and the first-world market economy. His work blends humor and absurdity, reinforcing the importance of considering the physical and human consequences of economic forces.

 

top right: "The Gift," Installation at Whitney Museum Biennial, 2008

bottom left: “A Thin Line between Love and Hate," 2005

bottom right: Babylon Bar, 2006