Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

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Eduardo Sarabia

Eduardo SarabiaEduardo SarabiaEduardo SarabiaEduardo Sarabia

 

Eduardo Sarabia ('99), born in L.A., lives in Berlin and Guadalajara. His work honors and mocks his Latino heritage through exposing Mexican cultural clichés about drug smuggling, banditry, and the import/export of tawdry contraband. He stages semifictional events, for which he creates the fake evidence: handcrafted ceramic objects, drawings, paintings, photographs, and sculptures. An installation titled “A Thin Line between Love and Hate” (2005) juxtaposed shipping boxes screenprinted with “Maizena,” “Producto de Colima”) and the containers’ “real” contents—blue-and-white Chinese-style vases decorated with images of pinup girls, marijuana leaves, rifles, and skulls.

At Salon Aleman, in Berlin, created for curator Anton Vidokle's Unitednationsplaza, patrons drank the artist’s Sarabia tequila. Playing on the stereotype of Latinos as cantina dwellers, Sarabia exposed the symbiosis between the third-world poverty of rural agave farming and tequila production and the first-world market economy. His work blends humor and absurdity, reinforcing the importance of considering the physical and human consequences of economic forces.

 

top right: "The Gift," Installation at Whitney Museum Biennial, 2008

bottom left: “A Thin Line between Love and Hate," 2005

bottom right: Babylon Bar, 2006

 

 

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