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Events
  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • OR GALLERY
    10455 JEFFERSON BLVD.
    CULVER CITY, CA 90232
  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Paradise Garage.

    Thursday, October 9th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     
  • Jennifer Moon

    Oct 14| Lectures
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    Artist, Adventurer, and Revolutionary 

    Phoenix Rising, Part 2: Eros vs. Agape is on view now in Made in L.A. 2014 at the Hammer Museum through Sept. 7th! 
  • ALUMNI EVENT

    The Otis Alumni Council invites you to a reception and artist talk with alumnus Sandow Birk (’89) hosted by Council member Eleana Del Rio (’89) at her art gallery.

    Sandow Birk: American Qur’an  is the final exhibition culminating a nine-year project to create an illuminated manuscript of the Holy Qur’an. Birk will discuss this series and his career with art historian, art critic and Otis faculty member Dr. Jeanne Willette.

     

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Dean Tavoularis

Dean TavoularisDean TavoularisDean Tavoularis

 

Identifying Dean Tavoularis (‘55, Fine Arts) as Francis Ford Coppola’s production designer does not fully encapsulate his design career in and beyond Hollywood. His rich collaboration with Coppola led to such classics as The Godfather films, Apocalypse Now, The Conversation, One From the Heart, Rumble Fish, The Outsiders, Tucker, and New York Stories.

According to Tavoularis, “when I was young, I attended art school, [but] there were no film schools to speak of then, though this was L.A. I went to movies and lost myself in them. Their settings registered but I was not aware of art direction in film and I never said to myself: “This is what I want to do.”

“Very often with Dean,” remembers Coppola, “even early on when I didn’t know if I agreed with him, I learned that his instincts were very good and that later on I would like very much his idea even if it wasn’t immediately something I liked."

Other directors with whom Dean collaborated on his more than 30 films and five Academy Award nominations include Arthur Penn (Bonnie and Clyde), Michelangelo Antonioni (Zabriske Point), Roman Polanski (The Ninth Gate), Wim Wenders (Hammet) and Warren Beatty (Bullworth).

“He attained a higher reality, that of poetry,” notes writer Jean-Paul Scarpitta. “Any form of spectacle is for him a visual feast, a challenge, and a source of inspiration. In his art, he doesn’t dwell on magic, visual deception, optical illusion, or unreality... His penetrating eyes allow him to watch and feel things deeply, which leads him to capture what others are not privy to see: the gimmicks, the artifices, the tricks, the element of life upon which the veil of illusion is cast. In his mind there is a clear parallel between painting and cinema, in that he considers one and the other as different yet compatible means to create an illusory world which only exists in a dimension of its own."