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  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

  • Multimedia and digital artist Parker Ito is known for his manipulations of found imagery and web-based systems of communication. Ito’s works often makes use of non-traditional art materials, such as reflective 3M Scotch-lite fabric, automotive paint, and vinyl. He is known for the high volume of his output—sometimes under different names—and his sense of humor. He does not consider himself a conceptual artist, but says his work is rooted in “konceptualism,” which he describes as “similar to when people spell the word ‘cool,’ ‘kewl’ or ‘kool.’”
     

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Coleen Sterritt

Coleen SterrittColeen SterrittColeen Sterritt

 

For nearly three decades since departing Otis, Sterritt (’79 MFA Fine Arts) has explored formal aspects of weight and balance, surface and texture through her sculptures, often beginning with a material that enters her awareness, and inevitably involves some form of stacking.

“In recent years as society has indelibly changed,” notes d.e.n. contemporary art, “many works of art have come to be seen in a relatively new light as they reflect ideas of imbalance, the notion of certain geometries as invulnerable, and the disparity between the raw and the refined. Viewed in the context of these uncertain times, Sterritt's work ventures into new directions with an up reaching, but precarious verticality, while still retaining moments of innocence and surreal fairy-tale construction.”

“I usually attached myself to a particular material,” says Sterritt in Spraygraphic, “such as cork, scrap lumber, cardboard, felt (whatever I find interesting at the moment) and focus on a single action — gluing, clumping, stacking, joining, etc. — and the form creates itself. The work is described by its own determination. Since I’ve been incorporating recognizable objects such as the found furniture, the work has opened up to narratives and metaphors out of not my control — and I really enjoy what happens. It’s a labor-intensive, but joyful process. Fluid and intuitive, mysterious and full of questions. It’s provided me with a set of circumstances I can work against: a catalyst to move forward.”

Sterritt has been an avid teacher, too. Her teaching career began in 1983 and has included positions at Otis, USC, Cal State Long Beach, and Pepperdine University. She was a Distinguished Visiting Artist at Cal State University, Fullerton, and an Adjunct Professor at The Claremont Graduate University before joining the Long Beach Community College Art Department in 1998 as the full-time faculty coordinator for the sculpture program.

Sterritt has exhibited throughout the U.S. and Europe, and has received many awards including artist fellowships from the NEA, Art Matters, J. Paul Getty Trust, and City of L.A. (COLA Award). Among the notable collections that include Sterritt’s work are the MOCA, Crocker Art Museum, Sacramento; and Scripps College Collection, Claremont, California.

http://www.coleensterritt.com/
                                                                                                                

 

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