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Events
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

  • Otis Graduate Writing students will read from their works-in-progress.

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Billy Al Bengston

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Billy Al Bengston ('57) was born in 1934 at Dodge City, Kansas. From 1953 to 1957 he studied art in Los Angeles and San Francisco, finishing at the Los Angeles County Art Institute (now Otis College of Art and Design.) He had his first one-person exhibition at the Ferus Gallery in 1958. His mentor at Otis, Peter Voulkos, taught his students to defy standardized rules about making art. Unlike Voulkos, who worked in ceramics, Bengston decided early on to paint.

Bengston began to develop a style involving centralized imagery such as the heart or iris within a square. At the same time, he adopted the tools and materials of the automobile and motorcycle customizer: industrial lacquers and the spray gun. Throughout the 1960's, he used chevrons or sergeant stripes, first with oil on masonite paintings and later in "Dentos," a series using dented and defiled aluminum sheets.

According to art historian Andrew Perchuk, he is one of a number of “West Coast artists, including Robert Irwin and Ken Price, who were instrumental in redefining the terms of artistic identity in the early '60s by insisting that subcultural affinities and leisure-time activities (surfing, car customizing) were at the foundation of their artistic personas.”

http://www.patriciafauregallery.com/nav/a_bengston.html
http://lacma.wordpress.com/2010/02/08/stephanie-barron-on-billy-al-bengston/