Events
  • Green Circle

    Jul 24| Exhibition
    More

    "Join us for the New opening of Metamorphosis to Catharsis II; "GREEN CIRCLE"." 

    Sunday.July.24 (6-9 P) Otis College of Art and Design - Back Gallery Space (10445 Jefferson Blvd. Culver City, CA 90232)

    Curator: Shirin Bolourchi 
    Artists; Marjam Oskoui, Jeff Knowlton, Elizabeth Medina, Zachary Roach, Delbar Shahbaz, Heejung Choi, Atia Shafee, Stephen Anderson, Foroozan Shirghanii, Shirin Bolourchi
    Poster: Pouya Jahanshahi

  • For the second year in a row, Otis will be hosting the Community Works Institute - Summer West. This is a five day professional development program for K-16 teachers focused on place based education, service learning and sustainability. There is a discounted rate for Otis faculty, staff, students and alumni to participate. Contact the Artists Community Teaching program for more info: act@otis.edu

  • Classes End.

  • I Know What You Did This Summer is a series of bi-weekly gatherings in the Bolsky Gallery at Otis College of Art and Design organized around informal slideshow presentations by curators, artists, writers and producers in the Los Angeles area. Taking the form of a personal travelogue, presenters will share places, experiences, and encounters during summer travel near and far. I Know What You Did This Summer is an occasion to enjoy drinks and conversation among friends, colleagues and our community.

    July 7: Anna Sew Hoy / Jesse Stecklow

O-Tube

Billy Al Bengston

Billy Al BengstonBilly Al BengstonBilly Al BengstonBilly Al Bengston

 

Billy Al Bengston ('57) was born in 1934 at Dodge City, Kansas. From 1953 to 1957 he studied art in Los Angeles and San Francisco, finishing at the Los Angeles County Art Institute (now Otis College of Art and Design.) He had his first one-person exhibition at the Ferus Gallery in 1958. His mentor at Otis, Peter Voulkos, taught his students to defy standardized rules about making art. Unlike Voulkos, who worked in ceramics, Bengston decided early on to paint.

Bengston began to develop a style involving centralized imagery such as the heart or iris within a square. At the same time, he adopted the tools and materials of the automobile and motorcycle customizer: industrial lacquers and the spray gun. Throughout the 1960's, he used chevrons or sergeant stripes, first with oil on masonite paintings and later in "Dentos," a series using dented and defiled aluminum sheets.

According to art historian Andrew Perchuk, he is one of a number of “West Coast artists, including Robert Irwin and Ken Price, who were instrumental in redefining the terms of artistic identity in the early '60s by insisting that subcultural affinities and leisure-time activities (surfing, car customizing) were at the foundation of their artistic personas.”

http://www.patriciafauregallery.com/nav/a_bengston.html
http://lacma.wordpress.com/2010/02/08/stephanie-barron-on-billy-al-bengston/

 

Otis College Ranked 6th in Nation by The Economist