Events
  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Welcome to the Haunted Boulevard. Join DJ Platinum (Grace Potter) and DJ Batsy (Jessi Hita) for a journey of the folklores, urban legends, and paranormal encounters from different cultures. 

     

    Listen online at KLMU.

  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

  • Mexican artist Yoshua Okón’s videos blur the lines between documentary, reality, and fiction. He collaborates closely with his actors (often amateurs who are also the subjects of the work) to create sociological examinations that ask viewers to contemplate uncomfortable situations and circumstances.
  • Dana Johnson is the author of the short story collection In the Not Quite Dark. She is also the author of Break Any Woman Down, winner of the Flannery O’Connor Award for Short Fiction, and the novel Elsewhere, California.

  • Gallery 169 will be hosting the Otis College of Art and Design Communication Arts Graphic Design Junior Show, "5328," displaying a selection of work made over the five thousand twenty eight hours that make up the fall and spring semesters of the academic year. Work will include collected posters, publications, and typographic projects.
  • Clay, Body is a solo exhibition from artist Sydney Aubert: Unapologetically fat, crass, and sexual, a ceramics artist who also works in video, and whatever other materials arouse her in the moment. Exhibition will be on view from Monday, April 24 - Friday, April 28 at the Bolsky Gallery, Otis College of Art and Design. On view by appointment only, please contact the artist at sydney.aubert@gmail.com Reception: Thursday, April 27 | 6pm-9pm Bolsky Gallery, Otis College of Art and Design

  • Audrey Wollen is a feminist theorist and visual artist based in Los Angeles. Wollen uses social media, such as Twitter and Instagram, as platforms for her work on Sad Girl Theory, a theory which posits that internalized female sadness can be used as a radical and political action, separate from masculinized forms of protests such as anger and violence. She introduces this form of protest as an alternative to masculinized anger and violence.

O-Tube

Billy Al Bengston

Billy Al BengstonBilly Al BengstonBilly Al BengstonBilly Al Bengston

 

Billy Al Bengston ('57) was born in 1934 at Dodge City, Kansas. From 1953 to 1957 he studied art in Los Angeles and San Francisco, finishing at the Los Angeles County Art Institute (now Otis College of Art and Design.) He had his first one-person exhibition at the Ferus Gallery in 1958. His mentor at Otis, Peter Voulkos, taught his students to defy standardized rules about making art. Unlike Voulkos, who worked in ceramics, Bengston decided early on to paint.

Bengston began to develop a style involving centralized imagery such as the heart or iris within a square. At the same time, he adopted the tools and materials of the automobile and motorcycle customizer: industrial lacquers and the spray gun. Throughout the 1960's, he used chevrons or sergeant stripes, first with oil on masonite paintings and later in "Dentos," a series using dented and defiled aluminum sheets.

According to art historian Andrew Perchuk, he is one of a number of “West Coast artists, including Robert Irwin and Ken Price, who were instrumental in redefining the terms of artistic identity in the early '60s by insisting that subcultural affinities and leisure-time activities (surfing, car customizing) were at the foundation of their artistic personas.”

http://www.patriciafauregallery.com/nav/a_bengston.html
http://lacma.wordpress.com/2010/02/08/stephanie-barron-on-billy-al-bengston/

 

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