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Events
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
     
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here.
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

  • Otis Graduate Writing students will read from their works-in-progress.

O-Tube

Alison Saar

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Interview on Youtube

Alison Saar ('81, MFA Fine Arts) was born in Los Angeles in 1956 to celebrated African American artist Betye Saar and painter-conservator Richard Saar.

She is a recipient of the John Simon Guggenheim Memorial Foundation Fellowship, an Artist Fellowship from the National Endowment for the Arts, and a City of Los Angeles (C.O.L.A.) Artist Fellowship.

Since her artist residency at Dartmouth College, she has had key exhibitions at the UCLA Fowler Museum of Cultural History, L.A. Louver and Pasadena Museum of California Art.

Saar's highly personal, often life-sized sculptures are marked by their emotional candor, and by contrasting materials and messages, thus imbuing her figures and other artworks with a high degree of cultural subtext.

Art critic Rebecca Epstein writes,"Saar juggles themes of personal and cultural identity as she fashions various sizes of female bodies (often her own) that are buoyant with story while solid in stance. [Her works often embody a] balance of strength and tenderness, in form and idea."

www.lalouver.com