Events
  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Welcome to the Haunted Boulevard. Join DJ Platinum (Grace Potter) and DJ Batsy (Jessi Hita) for a journey of the folklores, urban legends, and paranormal encounters from different cultures. 

     

    Listen online at KLMU.

  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

  • Mexican artist Yoshua Okón’s videos blur the lines between documentary, reality, and fiction. He collaborates closely with his actors (often amateurs who are also the subjects of the work) to create sociological examinations that ask viewers to contemplate uncomfortable situations and circumstances.
  • Dana Johnson is the author of the short story collection In the Not Quite Dark. She is also the author of Break Any Woman Down, winner of the Flannery O’Connor Award for Short Fiction, and the novel Elsewhere, California.

  • Gallery 169 will be hosting the Otis College of Art and Design Communication Arts Graphic Design Junior Show, "5328," displaying a selection of work made over the five thousand twenty eight hours that make up the fall and spring semesters of the academic year. Work will include collected posters, publications, and typographic projects.
  • Clay, Body is a solo exhibition from artist Sydney Aubert: Unapologetically fat, crass, and sexual, a ceramics artist who also works in video, and whatever other materials arouse her in the moment. Exhibition will be on view from Monday, April 24 - Friday, April 28 at the Bolsky Gallery, Otis College of Art and Design. On view by appointment only, please contact the artist at sydney.aubert@gmail.com Reception: Thursday, April 27 | 6pm-9pm Bolsky Gallery, Otis College of Art and Design

  • Audrey Wollen is a feminist theorist and visual artist based in Los Angeles. Wollen uses social media, such as Twitter and Instagram, as platforms for her work on Sad Girl Theory, a theory which posits that internalized female sadness can be used as a radical and political action, separate from masculinized forms of protests such as anger and violence. She introduces this form of protest as an alternative to masculinized anger and violence.

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David Orkand

Feb 20, 2014
David Orkand starts his own design practice
Spotlight Category: Alumni

David Orkand graduated from Otis College of Art and Design as valedictorian of his class in 2004.
While at Otis he also studied at the Architectural Association in London during a summer session, traveled throughout Europe and the Americas, and worked in the offices of Patrick Tighe Architecture and Griffin Enright Architects.

After graduating from Otis, David attended Princeton University's School of Architecture. David participated in travel studios in China, Japan, and the United States and, as the recipient of a Howard Crosby Butler Fellowship, conducted his thesis research in Iceland. He also worked in the office of Architecture Dean Stan Allen and served as his Assistant in Instruction on multiple occasions.

Upon completing his Master of Architecture with a Graduate Certificate in Media and Modernity, David spent the following year traveling throughout Asia, living and working predominantly in Tokyo and Beijing. After this nomadic period, David moved to Madrid, Spain, to work for Mansilla + Tuñón Arquitectos, where he worked on numerous architectural projects in their office over several years. In the spring of 2009, David returned to his alma mater, Princeton University, to serve as a Teaching Assistant for his employers, Luis Mansilla and Emilio Tuñón.

David then pursued additional travel in Europe and Africa, finally returning to Tokyo as a Monbukagakusho Doctoral and Research Fellow in the Tsukamoto Laboratory at the Tokyo Institute of Technology. He spent the following three years conducting research and working with numerous Japanese architects including: Toyo Ito, SANAA, Junya Ishigami, Kazunari Sakamoto, Atelier Bow-Wow, and Go Hasegawa.
 
Upon completing his Doctoral course work, David recently moved back to his home state of California. Since returning he has been teaching at the University of California, Berkeley and the California College of the Arts.
David recently (winter 2014) started his own practice, atelier d.o.a., operating out of the Bay Area.

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